A Quote by Dr. Dre

I'm always going to talent scout and try to find new artists to work with. — © Dr. Dre
I'm always going to talent scout and try to find new artists to work with.
They would come down in Mississippi, they hired me as a talent scout. And I would go all over Mississippi, Alabama, Texas, and find out different artists for them.
I was scouted by this talent scout back home. She found me because I used to make my dad these CDs of my music, and I think that some guy that he worked with had a niece who worked with the talent scout, or something really drawn out, kind of word-of-mouth.
I've always wanted to be a communicator of ideas through music. Today, I wanna be the most effective musical communicator of social change I could be, so I try to find different ways to do it and I'm always challenging myself to find new things, learn new instruments. But I always try to find in my heart, what it is I really want to say with words.
I try my jokes onstage. The only way to really find out if something is going to work is to try it on stage, and I try to be careful and bookend something new with a strong bit before and a strong bit afterwards. But it's fun to run on virgin snow. I like that feeling onstage of creating new footprints and not knowing what's going to happen.
Creativity isn't about wild talent as much as it's about productivity. To find new ideas that work, you need to try a lot that don't. It's a pure numbers game.
Everyone has his own particular talent, niche and interests. Which isn't to say that you shouldn't try new genres or styles or explore forms other than the ones you're most comfortable with. But you should be willing to recognize that when writers try to make themselves into something they aren't or, more important, don't want to be ... they aren't going to be doing their best work.
I'm surprised by the talent I find all over. There are always new chefs who propose many interesting new ideas, new ways of looking at ingredients.
I try to do a lot of asymmetrical, triangular compositions - I find those work really well for comic book covers in that portrait mode, and I don't always see that in other artists.
Whenever I work with different artists, I expand as a song writer, as a producer, and I always want to try and find the bridge between my world and their world.
When looking for new talent, I always look for artists who have something unique about them or are clearly on a mission.
I'd like to be a scout, go watch the games, and try and find a diamond in the rough.
If something doesn't work, you have to admit it. Always try to find what's going right and what's going wrong with your music. If you can, pool your resources and record yourself; do that frequently.
When artists find other artists that they love to work with, they more than likely will continue to work with them throughout their career.
Every orchestra I know, every opera house I know, is desperately looking around trying to find new talent, new composing talent, supporting young composers, supporting new ideas, supporting new ways of getting the message across.
When one player is better than you, at this moment, the only thing you can do is work, try to find solutions and try to wait a little bit for your time. I'm going to wait and I'm going to try a sixth time. And if the sixth doesn't happen, a seventh. It's going to be like this. That's the spirit of sport.
I pay attention to what's going on around me. I'm always looking for new energy, new talent, new voices. When you do that I think it's easier to come up with fresh ideas. It's not that my career has been based on surprising people, but it's been about challenging myself - to constantly do new things that are going to broaden my own mind and in the process, hopefully, connect with other people.
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