A Quote by Dr. Dre

I don't take any shorts. I don't say, 'Okay, it's good enough.' I try to get exactly what I'm hearing in my head to the tape, and I won't let it move until then. — © Dr. Dre
I don't take any shorts. I don't say, 'Okay, it's good enough.' I try to get exactly what I'm hearing in my head to the tape, and I won't let it move until then.
Shorts are practically a uniform in every woman's closet. Tailored shorts are okay for running around, and if you're 18, you can get away with cut-offs. But it's very easy to make a mistake with shorts.
The script is like music to me. I approach it like it's a musical piece and I hear how it's supposed to sound when people say the words. There's rhythms and there's intonations and things, and so, when somebody comes in and hits the notes that I hear, I go okay. Or, they come close enough, and then I'll say "Well how about you try it like this?" and if they have a good ear and they can pick it up, then I think okay, they've got it.
The biggest lesson I’ve learned is, “It’s okay.” It’s okay for me to be kind to myself. It’s okay to be wrong. It’s okay to get mad. It’s ok to be flawed. It’s okay to be happy. It’s okay to move on.
I made myself into what I thought was a big-time player, and nobody in L.A. seemed to care or believe I was any good. When I started hearing I wouldn't play in college, I would just let it simmer inside me and then be like, 'Okay. That's what you think? Okay.' The number zero was the only way I could express that.
If some crazy idea stays in my head for long enough, then there's no fighting it. I just say, Okay, let's go.
Songwriting is a very frustrating art form. You have to get on tape exactly what's playing inside your head
Say “no” only when it really matters. Wear a bright red shirt with bright orange shorts? Sure. Put water in the toy tea set? Okay. Sleep with your head at the foot of the bed? Fine. Samuel Johnson said, “All severity that does not tend to increase good, or prevent evil, is idle."
Little ideas can pop into one's head at any time, and if I'm being reasonably efficient I've got it close enough to hand, then I pop that little tiny moment of a few seconds down onto a tape and then I can forget about it for... years sometimes.
I don't try to get all the meat off the bone. When I get a good figure, I just move something. Too many people try to hit the peak price, and they hold on until it is too late.
Someone will say, 'Well, that's good enough.' As soon as I hear 'Good enough,' it really bothers me. I spend as much time as I think I can on anything I do. I try to do that with the people that work with me. I try to get the best out of them.
When you get to a point where you're successful enough that you can say, 'I don't have to take any job anymore,' and you're still good at what you do, how do you decide what work to take on? I think the answer is that you pursue what you enjoy. In my case, it's variety.
I talk about things in music that I would never talk about with my best friends, which I think seems like a weird thing, but my justification in my head as to why it's okay is because it's cryptic enough and there's enough meat around it to make it all okay and no one can really prove what any of the songs mean.
For me, it works best to plan just enough to come up with a good direction to head out in. Then I start down the path as soon as I can, without a very clear idea of what exactly I'm going to end up with. I try to leave a lot of time for flexibility and play and changing direction.
What I do usually is read the book first, for pleasure, to see if my brain starts connecting with it, as a movie. And then, if I say yes, I read it again, only this time I take a pen and, inside the book, I say, "Okay, this is a scene. I don't need this. I'm going to try this. I'm not going to take this." And then, I use that book like a bible and each chapter heading, I write a menu of what's in that chapter, in case I ever need to reference it. And then, I start to outline and write it. I get in there and it starts to evolve, based on having re-read it again.
One of the biggest changes in my lifetime, is the phenomenon of men wearing shorts. Men never wore shorts when I was young. This is one of the worst changes, by far. It's disgusting. To have to sit next to grown men on the subway in the summer, and they're wearing shorts? They look ridiculous, like children, and I can't take them seriously. My fashion advice, particularly to men wearing shorts: Ask yourself, 'Could I make a living modeling these shorts?' If the answer is no, then change your clothes. Put on a pair of pants.
I try not to think about that [getting Oscar] ahead of time. You just try to do the best work you can, and then you get the movie out there, and we've been hearing good things. But you never know, you don't want to get too high, and you don't want to get too low.
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