A Quote by Dr. Luke
The hardest thing, and the most difficult thing, is to do the most simple thing. Because that means that you've had to weed out every other option. I kind of feel like that about a good pop song, too. When it's right, it's perfect, you know?
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I am not perfect." It came out in a rush of breath. "See I thought I was. Thank God I ain't. See a perfect thing ain't got a chance. The world kills it, everything perfect. (Listen to him!) Now see a thing that ain't perfect, it grows like a weed. Yeah, like a weed! A thing that ain't perfect gets hand clapping, smiles, takes the wire an easy winner. But the world ain't set up right if you perfect. You lible to run right into a brick wall. Looks like suicide. All the weeds say, looka there, it suicide!
I realized probably when I was, like, 20 years old that the hardest thing to do is to write a pop song - not, like, a candy-pop, throwaway pop song.
Losing so many patients certainly was difficult, but it didn't make me feel like a failure as a physician, because I had learned that there was so much more to being a physician than curing illness. That's not the most important thing we do. The most important thing we do is enter into the suffering of others.
Right away, I knew I didn't want to have that look of other guys with long hair and bell-bottom pants, because everybody else had that look. I kind of adopted my boarding-school look, which made me stand out. Then the next thing you know, the first song on my first record is a song called "School Days." It's about going to the boarding school I went to. So then I just started to write about myself. The very first song I ever wrote was about a guy I met in a boatyard that we were working in. So I've always had this thing about sticking to more or less what I knew.
In high school, my first thing ever was I played Tony in West Side Story when I was about 17. I was a really shy kid and I just like forced myself to learn how to sing this one month because I loved West Side Story so much and I somehow managed to get the role. I had an afro and glasses, and the guy who cast me goes, "All right, the first thing to go is the afro and the next thing, I'm going to buy you contacts and we're going to get you..." So he kind of molded me into what it had to - that's still probably the hardest role I've every played in anything, the most taxing role.
I think I have to work to write a happy song. I write them carefully; they're simple and they're about when it's fun to walk down the street. You know? Because that's the best thing about when you're happy. It's just one little thing that makes you happy, and you're making friends. The kind of thing I can do is capture this moment.
The thing about living in New York is that there are other artists; that is the most difficult, I think they are the hardest critics.
The supporting thing can be harder to pop in and out of. The hardest thing is the people who have to come in and play, say, the bartender for a day - that's a lot harder than playing the lead role. You have to pop in and get it right. It's a lot of pressure to just pop in there and fit in and find your footing really fast.
These long chains of perfectly simple and easy reasonings by means of which geometers are accustomed to carry out their most difficult demonstrations had led me to fancy that everything that can fall under human knowledge forms a similar sequence; and that so long as we avoid accepting as true what is not so, and always preserve the right order of deduction of one thing from another, there can be nothing too remote to be reached in the end, or to well hidden to be discovered.
Every time I finish a song... most of the time it's in my own head, like this sounds too much like a Townes Van Zandt song, or whoever. I realize there are so many melodies and chord progressions in pop and rock music that are so similar that you can kind of trace it back to other things. Most of the time it's just in your head.
I think that's why it's difficult for women when they watch TV and we see one version of a woman who is attached at the hip to a guy, and that's kind of her whole thing. You kind of go, 'I don't relate to this, I don't feel this.' You know? Maybe somebody does, but not everyone. That's the other thing about storytelling, is you can't represent everybody. You know, you can't seek to do that. You have to tell stories that you're interested in talking about and characters that intrigue you.
I let the song come to me. Then that thing comes to you, and you just know what that thing is. Music isn't like a 9-to-5 job. You never know. It's just the most unpredictable thing.
The most difficult thing about shooting guns instantly on film is to not pull a silly face while the gun is going off, because it's always a bit of a shock. So you find yourself sticking your tongue out or blinking or whatever. So the hardest thing is to keep a straight face while you're shooting a gun.
If we don't know that there is such a person as God, we don't know the first thing (the most important thing) about ourselves, each other and our world. This is because the most important truths about us and them, is that we have been created by the Lord, and utterly depend upon him for our continued existence.
It definitely feels like I'm sort of reaching people through social media in the right kind of way. I feel like I've been late to the game with the whole Facebook/Twitter thing, because I always thought it was cheap. But, when I started really using it and trying to be myself when using it, which is the hardest thing. I feel like a lot of people are really responding to that.
Sitting behind the bench at games is the hardest thing I've ever had to go through because basketball is really most of my happiness. So when I can't go out there and exert energy and have fun and things like that, it kind of puts everything else into perspective.
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