A Quote by Dr. Seuss

And that is a story that no one can beat, When I say that I saw it on Mulberry Street. — © Dr. Seuss
And that is a story that no one can beat, When I say that I saw it on Mulberry Street.
Mulberry Street was the beating heart of the Italian-American experience, but you don't find those gangsters now. I live with a bunch of yuppies and models.
I'll see something awful on the street and I'll come home and say to my boyfriend, "I just saw the funniest thing on the street." It's a stance. It's the way I was born, or the way I was damaged.
Say good-bye to Dodd-Frank and all of the financial reforms and efforts to try to rein in Wall Street. Just say good-bye to it. That means we can go where Wall Street gets to call the shots again. We saw how that worked out in 2008.
I bring up 'The Heist,' and you can almost cut that record down the middle between songs where the beat came first and the words came second, and songs where the words came first and the beat came second. It can start with a vibe, a beat that drives a story, or it can start with a story and then trying to identify the tone to tell that story right.
All melodious poets shall be hoarse as street ballads, when once the penetrating keynote of nature and spirit is sounded-the earth-beat, sea-beat, heart-beat, which make the tune to which the sun rolls, and the globule of blood and the sap of the trees.
I will not say that your mulberry trees are dead; but I am afraid they're not alive.
I saw young women in the street dressing in a way that I thought was influencing the designers. Fashion was being influenced by all sorts of different people, and culture and also across the street. So I saw more as a trickle up, than a trickle down influence. When I came to Vogue, that's what I wanted it to reflect.
Yesterday from my office window I saw a crippled girl negotiating her way across the street, her shoulders squarely braced. At each jerky movement her hair flew back like an annunciatory angel, and I saw she was the only dancer on the street.
You tell me you want to race down the street, I'm going to try to beat you. My grandmother asks me to race down the street, I'm going to try to beat her. And I'll probably enjoy it. Competitive to a fault, sometimes.
No one wants to read a story where I saw a cute puppy on the street and I petted it. I mean, that's not funny. I only write about the funny stuff.
At the core of these movies, Saw One and Saw Two, it's a very real situation. A guy cheats on his wife and didn't value what he had. It's the same thing in my story. Being a dad and playing someone whose last words to his son were 'go to hell'. I say to my son, the last thing I say is 'I love you'.
The old images seem like a caricature now: the shadowy world of secret rituals, the aging dons behind high-walled estates, the passion for vengeance and power over other men. For years, the Mafia was the stuff of novels and movies and whispers on Mulberry Street.
When I hear a beat that makes me want to tell a story, then that's what I'm going to say.
For me, if I was walking down the street and saw a politician, I'd cross the street and walk the other way intentionally, just to not have to talk to them.
He beat me like he beat the children. Cept he don't never hardly beat them. He say, Celie, git the belt. The children be outside the room peeking through the cracks. It all I can do not to cry. I make myself wood. I say to myself, Celie, you a tree. That's how come I know trees fear man.
If you walk up to some random person on the street, grab them by the shoulder, and say 'Did you just see what I saw?!', you'll find that no-one wants to talk to you.
This site uses cookies to ensure you get the best experience. More info...
Got it!