A Quote by Dr. Seuss

I was saving the name of 'Geisel' for the Great American Novel. — © Dr. Seuss
I was saving the name of 'Geisel' for the Great American Novel.
It used to be that the highest ambition of American novelists was to write 'the Great American Novel,' that great white whale of American fiction that would encompass all the American experience in one great book.
I'm a big Philip Roth fan. I think "American Pastoral" is the great American novel of the past 30 to 40 years. It's a novel about what happened in the 1960s, and I think America is still dealing with what happened then. It's devastatingly sad.
At one point I would read nothing that was not by the great American Jews - Saul Bellow, Philip Roth - which had a disastrous effect of making me think I needed to write the next great Jewish American novel. As a ginger-haired child in the West of Ireland, that didn't work out very well, as you can imagine.
I think 'Gatsby' is hobbled, in part, by its status as a Great American Novel. People kind of roll their eyes before they've even opened it, treat it with a 'been there, done that' attitude. I know I did. It took me years to re-open the novel and see how much I'd missed.
The American dream means that you have the chance to work hard, get an education and do great things for yourself, for your kids. The great thing in American is it doesn't matter what your last name is, doesn't matter if you're wealthy.
Since I cant write the greatest American novel, Im going to write the longest American novel.
With American Gods I was trying very, very consciously - there was a level at which it was a little like trying to write a novel in French - you know, "this novel is to be written in American."
Since I can't write the greatest American novel, I'm going to write the longest American novel.
A psychologically engrossing novel about the homes we make-in our houses, in our neighborhoods, and in the hearts of our loved ones. Laken takes on that great unspoken American subject-class-and does so with frankness, acuity and surpassing feeling. DREAM HOUSE is a memorable debut novel from a fully mature talent.
Great song lyrics are as valid a part of American literature as any novel.
I'm not working on the Great American Novel. All I am doing, I hope, is entertaining readers.
My father was a frustrated writer. I think he wanted to write the great American novel.
The philosophy of individualism owes a great deal to the tradition of novel-writing and novel-reading. In its development and in its aesthetics, the novel is not politically neutral; it has been a participant in history all along.
[Mark] Twain is pointing at you. You, the reader of the book one hundred and thirty years ago and today. That is what has made it a great American novel and the most widely read book in American Literature around the world today.
The point is, that the function of the novel seems to be changing; it has become an outpost of journalism; we read novels for information about areas of life we don't know - Nigeria, South Africa, the American army, a coal-mining village, coteries in Chelsea, etc. We read to find out what is going on. One novel in five hundred or a thousand has the quality a novel should have to make it a novel - the quality of philosophy.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
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