A Quote by Drake

I can't hear the critics talking over the applause. — © Drake
I can't hear the critics talking over the applause.
You can tell by the applause: There's perfunctory applause, there's light applause, and then there's real applause. When it's right, applause sounds like vanilla ice cream with chocolate sauce.
Awards are like applause, and every actor likes to hear applause.
Comedy crowds - we always want to come out and ask you, 'How you feeling?' We always say that, 'By a round of applause, how do you feel?' Right? 'By a round of applause, how you feeling?' It's the only place in the world that you judge how you're feeling by a round of applause... There's never like a car accident, people all over the ground, people running over - 'Ma'am! Ma'am! By a round of applause, how do you feel? By a round of applause - she's not clapping!
You'll hear a lot of applause in your life, but none will mean more to you than that applause from your peers. I hope each of you hears that at the end.
You have to insulate yourself - I'm talking about from everything, people can be talking to you and you won't hear 'em - that's how you write a song. And I haven't been able to do that over here 'cause I'm so busy and then, when I am off, I want to get away from music.
I'm happy that people have loved my film and my work. I have always let my work do the talking, and I guess I have proved to my critics that I'm not over.
I hear all the critics, man. I hear them saying 'He's done.' I hear them saying 'He can't.' I hear all that. That keeps me going.
We all know that much of what we hear in life is not really so. Canned laughter and 'sweetened' applause have been TV staples for decades, and all the slamming doors, breaking glass and squealing tires you hear in movies are sound effects.
You should never appease terrorists. The mistake made by critics of the 'talking to your enemy' approach is to equate talking with appeasing.
Artists... do not need the applause or condemnation of the critics, the ideas of other artists, or the demands of the collectors.
When you hear someone talking in a restaurant or overhear someone talking on the street, there are very different patterns of conversation than you would hear in a conventional movie.
Normally you can't hear you're own voice because you're talking over it.
Glorious bouquets and storms of applause are the trimmings which every artist naturally enjoys. but to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of one's own life.
I feel like the older I get, the more I start to think about life in general. All the clichés that people tell you, the ones that you hear over and over and over again, there's a reason they're cliché, there's a reason you hear them over and over again, because it's all true. As much as you don't wanna hear it, it's true. You'll find out later on, like "Man, they're all right."
'The Conversation' is one that, if you watch 'The Conversation' for the opening sequence, where you hear a conversation taking place as the master - this zoom from way up is zooming in over a park. And I was just absolutely blown away by it because you can hear exactly what's happening, but you don't see. You've got no idea who's talking.
When people ask me about my dialogue, I say, 'Don't you hear people talking?' That's all I do. I hear a certain type of individual, I decide this is what he should be, whatever it is, and then I hear him. Well, I don't hear anybody that I can't make talk.
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