A Quote by Drake

We've been living on a high, they've been talking on the low. But it's cool, know you heard it all before. — © Drake
We've been living on a high, they've been talking on the low. But it's cool, know you heard it all before.
I lot of the show's I do are low tech. This is low tech. There's a bit of high adventure here. There's difficult emotional choices. So actually this feels like a natural progression of everything I've been doing before this.
Before I realized what was happening, everything blew up. I made 'Animals' when I was in high school, and literally, from that moment, I've been living a different life. I've been touring a lot, traveling a lot, doing great shows. I've been in the studio with my biggest idols.
Only know you've been high when you're feeling low.
I've been talking about things like reversing the rise of inequality and strengthening social mobility,since before it was cool.
What is born will die, What has been gathered will be dispersed, What has been accumulated will be exhausted, What has been built up will collapse, And what has been high will be brought low.
Awkwardness gives me great comfort. I've never been cool, but I've felt cool. I've been in the cool place, but I wasn't really cool - I was trying to pass for hip or cool. It's the awkwardness that's nice.
I still struggle with my low notes. It's just always been something for me: I'm not a low singer. I have a really high voice.
To force yourself out of the comfort zone, the main ingredient is trying to work in a world where you haven't been before, that you don't know the rules of. And that involves a lot of research, so you begin to see where the other people have been, but you are starting from as vulnerable and as low a point as possible.
I've been the lowest low on the planet, I've been a sinner all my days. And I was living with my hands on the trigger, I had no sense to change my ways.
Life is very cyclical. And my career has been very-high-very-low, very-high-very-low, and I think it'll probably keep on rolling that way.
I think cool originates with the jazz culture in the '40s. There was probably cool before that, but that's when people started talking about cool - Miles Davis and Charlie Parker and a bunch of other early, cool jazz folk.
Every artist that I've parodied has been cool with it so far. I know one hasn't loved a version of it, but she didn't sue me over it or make me take it down. They've all been pretty cool.
Whether you're talking about Shakespeare or, you know, if you look at Greek tragedies. I mean, every playwright, every songwriter, every artist who's ever sat down and been moved to create something, has been living in a context. A political moment that's most often reflected in their work. Even if you're, you know, kind of a nature poet.
Lower oil prices won't, by themselves, topple the mullahs in Iran. But it's significant that, historically, when oil prices have been low, Iranian reformers have been ascendant and radicals relatively subdued, and vice versa when prices have been high.
There has been a great deal said about a 3,00-mile high-angle rocket. The people who have been writing these things that annoy me, have been talking about a 3,000-mile high-angle rocket shot from one continent to another, carrying an atomic bomb and so directed as to be a precise weapon which would land exactly on a certain target, such as a city.
Intellectual culture seems to separate high art from low art. Low art is horror or pornography or anything that has a physical component to it and engages the reader on a visceral level and evokes a strong sympathetic reaction. High art is people driving in Volvos and talking a lot. I just don't want to keep those things separate. I think you can use visceral physical experiences to illustrate larger ideas, whether they're emotional or spiritual. I'm trying to not exclude high and low art or separate them.
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