A Quote by Drake
I like getting my own thoughts out right now, I have fans to solidify, so that's why I don't do tracks with too many younger rappers or newer artists. People may consider me to be a music snob or whatever, but I like to preserve what's mine and I also don't just do tracks to do tracks, I make every song with a purpose.
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When I made '1983,' there were a bunch of tracks that were in the early drafts that didn't make it because they just sounded like tracks for rappers, and that's not really the sound I look for when I produce my own albums.
I hate click tracks. A lot of people I know like to use click tracks. Like my son is perfect on the click tracks. It makes me to edgy.
The reason for backing tracks is to not veer off too far from the record and have what the fans actually want to hear. Artists use backing tracks just so they can stay close to the record and what the consumer heard for the first time. It's not to be confused with lip synching or anything like that cos that's not happening at all.
Well technology has changed a lot of things, making it possible for just about anyone to make music. But not everybody is a songwriter, so that puts me in a completely different ballpark than the other DJs out here that are writing and producing tracks. I don't stop at tracks, I try to complete the whole package with the song. So working at that level has put me in a completely different place.
I believe that tracks speak to me. Some tracks make me write certain music or make me feel sad or inspire me to write a sad love song. Each track has its feeling to me.
My music represents walking on train tracks in the middle of the woods, somewhere in the middle of nowhere. You walk down the tracks and you're walking every two tracks, and you've got your headphones on, and on both sides you've got forest, and in your rear is this long line of train tracks that's weaving through the woods. It's a very cool place, to walk along the train tracks because of the rhythm of walking every few feet through the woods. It's a good place to go dream.
Drums isn't my one thing anymore. I love to produce. I love to make tracks, write tracks, produce tracks, and I can't just sit back as a drummer anymore.
It's my opinion tracks got too wide. You put 43 cars on the track, and if the turns are too wide like they are at some tracks, you sort of lose perspective of what's going on.
I'm always making tracks. I find that when you make tons of tracks, you stumble upon genius. You can't always turn the drum machine on and right away there's a hot track. Sometimes you luck out. But it can take a lot of time between thinking about the artist, listening to music for inspiration or going to clubs.
You are a 64-track recording - the tracks are always there, they're always with you. Sometimes the harsh tracks are cranked up and the rest are rolled down to zero. Other times the sweet tracks are high and the darkness is low. But it's all you.
My dad used to do a lot of music when he was young, so he had an 8-track MiniDisc recorder, and when he realized that I was getting on with it, he brought it upstairs to my room and showed me how to record and how, once you finished eight tracks, you can cut it down to two and have another six tracks to play with.
Back then, Pro Tools only had four or eight tracks, so we couldn't actually hear all the tracks. We could only hear eight at a time, so if a song had 25 or 30 tracks, we wouldn't be able to hear it until we went into the studio an put it all on tape. The process was a little bit backwards.
For me, the music that resonates the most is one with a vision. I think that's what separates artists from entertainers. There are a lot of DJs and producers that make entertaining tracks that are effective in the club. They may make you feel nostalgic, or they may make you feel happy, or anxious or whatever - that can be entertaining, useful, and functional but there could be no vision.
When I started making my tracks in the style that people call tropical house, I didn't do it on purpose to make it sound tropical. I made whatever I felt sounded good. I just wanted to make my own thing, and then suddenly people started calling it tropical ... I'm like, 'Yeah, that's probably a good name for it.'
I'm always on tour, so I'm always trying new tracks out live before they're released. That's more necessity than anything, because I don't get a proper chance to sit in a studio and work on tracks like other producers do.
If you belong to an in-group of good, or saved, or elite people, you can only know that you’re in because someone else is out. You cannot live on the right side of the tracks without there being a wrong side of the tracks, so you ought to be grateful to the outside for having the privilege of being on the inside.
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