A Quote by Drake
I still just like everybody else need to meet quotas with my spins, with my buzz and make my way into the office. It has to be undeniable; the world has to know about you before Jay-Z makes a call.
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I adored you,” North said. “I just didn’t tell you. You were the most amazing thing that had ever happened to me. Nothing else like you in my world before or since. I was crazy about you. I still am. Ten years later you walk into my office and I see you and it’s like the first time, I can’t think, I can’t talk, I just need you with me. It makes me crazy, but now that I’ve got you back . . . You’re everything, Andie. I should have told you that before.
What I am against is quotas. I am against hard quotas, quotas they basically delineate based upon whatever. However they delineate, quotas, I think vulcanize society. So I don't know how that fits into what everybody else is saying, their relative positions, but that's my position.
I love hip-hop. I'm big into Jay-Z, Kanye, Little Wayne. Those are everyone's favorites, I know. I just like the fact that when they get on track and talk about whatever they're talking about, they have supreme confidence. That's pretty much what you need to have on the field. I like the way they approach their music, they feel like no one can touch them.
You meet people who are great to hang with, and you just want to make stuff. So, you just make stuff. I never would have seen that coming. I guess at this point, I can't say that I'm really picky about it. If someone wants to work with me, I'm psyched. As far as who I might call, I don't know. I've never thought about it. Maybe I don't feel like I'm able to ask. That hasn't crossed my mind. I'm that girl who waits to be invited to the dance. I'm not doing any inviting myself, if that makes any sense.
You've never seen anyone shoot it like me. It comes off the left side. I don't know. I don't know. It still spins the right way.
There is something restless and curious about the Irish. Like everybody else, we want to make money and make our way in the world but it's not the be all and end all. We also want to have fun, we want to make friends, make connections, share stories.
I don't make my music for just me or a few people. Hopefully everybody that makes music wants to be embraced by the people they tryna make it for, you know what I'm saying. It's just a matter of time before everybody gets the message that I'm tryna send out.
I have problems like everybody else. I have problems with razor burn, and I try not to eat food that will make me gassy before meet-and-greets with fans.
People have always told tales. Long before humanity learned to write and gradually became literate, everybody told tales to everybody else and everybody listened to everybody else's tales. Before long it became clear that some of the still illiterate storytellers told more and better tales than others, that is, they could make more people believe their lies.
Food is, for me, for everybody, a very sexual thing and I think I realised that quite early on. I still cannot exaggerate how just putting a meal in front of somebody is really more of a buzz for me than anything. And I mean anything. Maybe that goes back to trying to please my dad, I don't know. It's like parenting in a way I suppose.
I don't really do that much office work. I just go to the office, and I'm like Steve Carell in 'The Office.' You know, like, I just go around and like - I don't know what I do in the office. I look at paperwork and act like I'm understanding what's going on there, and I shake my head and put my hand on my chin and like, 'Hmm.'
Don't be afraid to be yourself just because you're not like everybody else in class. If you want to dye your hair green and that's what makes you happy, then dye your hair green, no matter what other people might say about it. Not everybody is going to like you - that's the world we live in; that's reality.
It doesn't make you bad losing to Rob Van Dam... it just makes you like everybody else.
I would like to be called an inspiration to people, not a role model - because I make mistakes like everybody else. When I'm offstage, I'm just like everybody else.
I need to make an okay living. The people who work for us need to. But after you make a comfortable living, how much more do you need? It's like I make a joke about nerd values, because I'm very much in the rich nerd tradition. And you know, we say, like, hey, people pay us for this stuff, like programming. You know, what else do we need?
I used to cold call labels and pretend I was one of their artist's attorneys. I'd say, 'This is Jay-Z's attorney, we need to speak with Craig Kallman,' you know, owner of Atlantic, and they'd say, 'Right away,' and then I'd be like, 'Please just listen to my demo tape!'
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