A Quote by Drake

Wouldve came back for you, I just needed time to do what I had to do. Caught in the life, I cant let it go. Whether thats right, I wont ever know. But here goes nothin. — © Drake
Wouldve came back for you, I just needed time to do what I had to do. Caught in the life, I cant let it go. Whether thats right, I wont ever know. But here goes nothin.
... where the Greeks had modesty, we have cant; where they had poetry, we have cant; where they had patriotism, we have cant; where they had anything that exalts, delights, or adorns humanity, we have nothing but cant, cant, cant.
We did the opening tailgate party - I'm not a big football person - and it started to rain. I was a little sick and went back to the hotel where we were all staying. We didn't know whether Prince was going to go on or not because the rain got so bad. He had already prerecorded it just in case he couldn't go on. So I'm sitting there wrapped in blankets, with a hot water bottle and hot tea, and he goes on and it's the most magical thing I have ever seen.
It's depression. You can't put it into words. You get stuck and time passes by. I'm stood there on the edge of a cliff, can't go back and can't go forward. Days go by. I'm still in the same place. Everyone else's life goes on, but you're stuck. You try and try and try and I don't know how, but you came out of it eventually.
The people will come and go. Sometimes they'll be there for you. Sometimes they wont. Some will love you, some will not. This tide was never meant to be still. Step away from time to time. And know that only a heart fixed on the unmoving spot can ride the waves of this ever-changing, ever-fading life.
There came a time in my life where I just wanted to go out there and get myself a job somewhere. Boxing was all I had in my life for so long and there just came a point where the whole thing just became a bit too much for me.
When I made the UFC, everyone said, 'You need to go overseas.' I thought I had to go as well, and I went to Tristar Gym, and I was there for one or two years. But changes were needed. I'd come off back-to-back losses - Court McGee and Stephen Thompson - and I needed to look at my roots and go back to the drawing board.
No thoughtful man ever came to the end of his life, and had time and a little space of calm from which to look back upon it, who did not know and acknowledge that it was what he had done unselfishly and for others, and nothing else, that satisfied him in the retrospect, and made him feel that he had played the man.
Then I turned to him commanding That he go the way he came, whence he came. But he answered me in sorrow, "May the Past not seek to borrow From the Present without blame - Just one memory from its store, Ere it goes to come no more, Back the pathway that it came, whence it came?"
I grew up dancing my whole life, and I always kind of perceived that's what I would do professionally. But when I caught the acting bug, I knew I needed to go with no turning back.
Miles Davis came in a couple of days and said, "Oh, man, I love that. Keep going." So he said, "Let me know when you need trumpet." And he came in, and he was sitting there, and I was very intimidated, because now he's going to play the trumpet on something that I wrote." He starts to play, and I go, "That's not right, but I don't know how to tell him it's not right." Finally he goes, "When are you going to tell me what to do?" He said, "This is your music. I know you know how it's supposed to sound. Stop fooling around. We don't have time."
I was the strongest during my career, and that helped me a lot, definitely in the beginning, when I needed to race against riders who were much older than me and had the power and the experience. I could beat them with my technique. At a certain moment I not only had the technique but then the power came and the experience, and then you are on the best level that you ever can reach. But then the explosivity starts to go down, you're more afraid, and the technique goes down a bit. But it's OK, because it never goes completely down.
I've always been creating my whole life, you know. I've just had a need to create, whether it was sculpting or writing or directing. It's just ever since I was a kid, I don't know.
This is the way life goes in Big Sur. Waiting for the mail, watching the sea-lions in the surf or the freighters on the horizon, sitting in the tubs at Hot Springs, once in a while a bit of drink - and, most of the time, working at what ever it is that you came here to work on, whether it be painting, writing, gardening or the simple art of living your own life.
When I got back into show business in 1961, I felt - for obvious reasons - that nothing in my life went right, and I realized that millions of people felt the same way. So when I first came back my catch phrase was "nothing goes right." Early on, that was my setup for a lot of jokes.
It's not like I'm the first man ever to do this, y'know? You gotta go back to Nat King Cole, Bing Crosby and Sammy Davis Jr. Those are people who've done music well and movies well, and y'know, Frank Sinatra and Elvis and all these dudes have made the transition. I don't know about Elvis, 'bout doin' 'em good, y'know? It's nothin' new.
I never go to the Grammys. I just never go. I don't know if I care enough, and I went because my son wanted to go, and they asked us to present Best Hip Hop Group of the Year. You know, we had two records from Compton in there, and it was just like a cool thing to do, and to do with your son, and it was just cool. But we was the first award up, so after I did my thing I just jumped in the car and came on back home.
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