A Quote by Drake

Damn where my roof just go, I'm somebody that you should know
Get to shakin somethin cause that's what Drama produced it fo' — © Drake
Damn where my roof just go, I'm somebody that you should know Get to shakin somethin cause that's what Drama produced it fo'
It's just golf. As long as I get done without breakin' somethin' or hurtin' somebody, that's my goal.
Damn where my roof just go? Top slipped off like Janet at the Super Bowl.
I don't care what you read, as long as you're reading something 'cause when you read somethin', you're learning somethin'.
You know, we live in a time when if somebody wants to kill you, they're going to kill you, and you can either go in a hole and, you know, pull the roof in over you, or you just continue putting one foot in front of the other and hope that you're doing some good in the world.
Just 'cause somethin' ain't been done Don't mean it can't be did.
They won't choose Joakim Noah as the MVP, but I think it's great that he's in the conversation and he should be. But it's just not the way it works, from my experience. It's got to go in the basket for you guys to pay attention to somebody. But he's pretty damn valuable in my opinion.
Man never reasons so much and becomes so introspective as when he suffers; since he is anxious to get at the cause of his sufferings, to learn who has produced them, and whether it is just or unjust that he should have to bear them.
I make such a good statistic, somebody should study me now; somebody's gotta be interested in how I feel, just cause I'm here, and I'm real.
...You have to pass an exam, and the jobs that you get are either to shine shoes, or to herd cows, or to tend pigs. Thank God, I don't want any of that! Damn it! And besides that they smack you for a reward; they call you an animal and it's not true, a little kid, etc.. Oh! Damn Damn Damn Damn Damn!
I believe there should be no more drama, but it's everywhere you go. It's just about how you get out. You've gotta bob and weave because it's everywhere. How do I keep the drama low? It's about using your head.
Oratory, like the drama, abhors lengthiness; like the drama, it must keep doing. It avoids, as frigid, prolonged metaphysical soliloquy. Beauties themselves, if they delay or distract the effect which should be produced on the audience, become blemishes.
I just did this movie with Kristin Wiig called 'The Skeleton Twins.' That's a straight drama. We play estranged twins, and I end up moving in with her and her husband, played by Luke Wilson. But it's a drama, and the Duplass Brothers produced it and this great guy, Craig Johnson, directed it. And that was great, you know?
I mean, if we said right now, there's somebody in the next room who's dying, let's all go save their life, you know, everybody would just get up immediately and go get involved in that.
I know that, for me, I need to try to cover myself while breastfeeding so that no one snaps a picture. If this wasn't the case, I probably wouldn't mind as much because my son is my biggest concern. My attitude is, if someone sees a little somethin' somethin', don't look if you don't like it.
If you want somethin', go get it. Period.
I’s been livin’ a long time in yesterday, Sandy chile, an’ I knows there ain’t no room in de world fo’ nothin’ mo’n love. I know, chile! Ever’thing there is but lovin’ leaves a rust on yo’ soul. An’ to love sho ‘nough, you got to have a spot in yo’ heart fo’ ever’body – great an’ small, white an’ black, an’ them what’s good an’ them what’s evil – ‘cause love ain’t got no crowded-out places where de good ones stay an’ de bad ones can’t come in. When it gets that way, then it ain’t love.
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