A Quote by Drake

To go indie is a thing. But to put an album in the stores, you need a distribution label. — © Drake
To go indie is a thing. But to put an album in the stores, you need a distribution label.
I had the most frustrating thing happen when I was trying to find a label. I sent my album to this indie label, and they were like, 'We already have two girls on the label. I'm so sorry, we just can't take your project.'
The one constant in this ever changing music business is the heartfelt and “ear to the ground” Indie Record Stores that avid music fans and artists alike know they can count on to keep music thriving locally. I tour all over the world, and it's these Indie Record Stores that many times make or break a market. People will always want an “album” to hold, not just have downloaded, and Indies fill that need and then some.
That's the best thing about being with an indie label, it feels like a family. If it's a major label, they put so much pressure on every single.
I had recorded a song 'If You Need Me' for the Correc-Tone label, but it was a small label and distribution was a problem.
Well, when you're recording an album, artists have what they feel like is good music, and the label, they're trying to sell the album. So those two ideas clash sometimes, but in the end it always works out. When you put the two together, that's a good thing.
I remember in 2016 when I got signed to my record label Good Soldier, which is a very small indie label. They took a big risk on me because ballads were the furthest thing from cool at the time.
I'd only do a deal with a label if it allowed me to still be indie and have that indie mentality. I have to have creative control.
My dad would play 'The Blue Album' a lot, the first Weezer album, and that influenced my alternative indie thing and that's kind of how I found tons and most of my favorite bands.
If it weren't for Criminal Records, Wax-n-facts and other indie record stores I could have only sold my CD's at my shows and by mail order as an independent artist. The greatest stores that have character and include a much wider range of music of music are all independent, mom and pop stores.
Walmart has stores in almost every city in North America. When they go to same-day delivery, they don't have to build warehouses across North America like Amazon has to do. It is so much cheaper for Walmart to use existing stores as distribution centers.
Of course you want to keep making good records, but I think there were certain aspects to the indie rock situation at that point where we were pushing the envelope a little bit too far. We weren't happy with the distribution we were getting, and a few other things. So for a lot of ways it made sense for us to jump to a major label right then, and it made sense in terms of challenging ourselves to put ourselves in new situations.
There's something different about an indie film than a TV show that has a huge infrastructure that's in place already for you - at least financially and in terms of distribution. Whereas an indie film is just a total dare.
If you're an artist trying to put out your own record on your own label, it's hard to get a distribution deal because no one wants to sign a deal with one entity. They want to sign distribution deals with labels, who have lots of product, lots of artists.
I'm an indie artist with major distribution, so one foot in the extreme major music business and one foot in the abyss of indie artists.
I had a little indie label called No Core and Dave Grohl's first band was called, Dain Bramage so I out an album for them and for whatever reason, he's never forgot it and has always been super nice to me since.
The thing about New York is it's like London: you want to go to the boutique places. You can go to the big department stores - Barney's, Bloomingdales and all that stuff - but I like the little stores.
This site uses cookies to ensure you get the best experience. More info...
Got it!