A Quote by Drake Doremus

It's really important to me that the actors bring a lot of elements of the characters to the process so they own it, so it's personal to them, so it's not just me saying, "You stand here, you say this, you do this, you feel this." No, you bring it up from in here and then let's work with that.
The great thing about the animation process is that is goes from, I write the lines, it goes to the actors, the actors bring a whole world to that, they bring the characters to life, then it goes to the animators, then it goes to the editor who cuts it together, and then you screen it and it goes back through the system again.
To be in a beast of a musical (I mean it's huge!) gave me a sense of I don't want to say "a sense of confidence" because you already have a sense of that to get out on stage. But I think I just have a better sense of myself. It was a learning process, I really had to conquer a lot of fears and my own little struggles. I feel a little self-empowered, like "bring it on!" Bring on the next thing because if I can conquer this, I can conquer that.
My fellow actors inspire me a lot and really good writing inspires me. And then trying to stick to the decision to only do something that I think will challenge me and that I, personally and very subjectively, I think is good not do something because I think it will bring me a lot of money or bring me a lot of awards. I've tried to very, very rigorously be highly subjective about what I do. And that's something that I think I have basically lived by.
Actors pull from their own experiences to bring reality to the characters. I wouldn't want to play someone who's a lot like me. There would be no turning it on or off.
I don't really compare any of the characters I play; I try to go into them being very open to what the characters can offer and what I can bring to them and then bring a being to life.
I love to champion some of the hardworking actors where, it's been said to me, they don't bring money. But to me, they bring everything. They bring their wonderful selves.
Comedians work great as actors because they're good under pressure. With a lot of actors, you have to make them feel like everything's going really well to get a good performance out of them. But, if you have a comedian on the set, you can tell them, 'Hey, you really are screwing this up,' and then they just get better.
The most important thing in a love story for me is the intensity and passion that my lead actors bring into playing their characters.
When I bring people on my show, I'm not going to bring the right-wingers on that just reinforce what I have to say, and I'm not going to bring on the liberals so that I can talk over them or interrupt them because, to me, that doesn't educate anyone or inform anyone.
I like to warm them up with stand-up, get them into my world and tone, and then bring other characters on. There's so much you can do theatrically on stage. You keep changing the direction and angles, and then people don't get bored.
For me, a lot of these actors are new. For me, I only worked with Finn Whittrock and Michael Chiklis. So a lot of these actors are people I've been a huge fan of for years and are bucket-list actors for me to get to work with. It's pretty surreal now getting to step into scenes with them.You all get to find your characters together.
There's a reason why I do anxious characters - it comes from a lot of personal anxiety. The great thing is, having that history, it's really fun to bring that into the characters... and play with it.
A lot of filmmakers and actors say, "It's so important to bring an authenticity to the role," blah, blah, blah. But then it's interesting because you're also trying to be somebody else, and viewers are going to associate you with that, so I don't think it really has an answer.
When I first started writing music, it was all really angry, angst-y lyrics. But then there was a point where I realized that people are clearly listening to what I have to say, so if I have the power to bring somebody up, why would I bring them down?
Before you start production, you have characters you have created without actors in mind, then all of a sudden you've got actors. They bring an enormous amount in creating these characters, and creating the dynamics between the characters that you've written.
I'm not saying that I am all of my characters, but for me to bring a character to life, you've got to be able to find your own truth.
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