A Quote by Draymond Green

I've gotten to the point where I'm comfortable guarding any position on the floor. It just didn't happen overnight. It came with a lot of work, a lot of film study and everything.
I've spent a lot of time wondering, What's going to happen? What's going to happen? I try not to allow myself to do that much anymore. I think ive gotten more comfortable with the unknown.
I'm really not interested in acting as a facade, I'm interested in it as an emotional expression and as a transcendent experience for an individual. I find that a lot of people, a lot of young actors, haven't gotten to the point where they're comfortable being stripped down. They're still interested in ornate jackets.
If you're a punter or a kicker, you don't have a lot of film study to do. There's not a lot of things to watch. You're just going to kick the ball.
The game has gotten a lot faster. I was anticipating changes as far back as when I first came into the league, when the spacing was changing, and big guys were playing in different spaces on the floor. But when that change actually happens, and it happens so quickly, it's just amazing.
The great thing about doing physical comedy for film is that if it doesn't work you're not exposed. It ends up on the editing room floor, so it gives you a lot more room to experiment I guess. But I really enjoy doing it. I'm very comfortable tapping into my inner idiot.
A lot of the time, because we don't have many Latinx scenarios on the landscape, not just in television or film and other media, we haven't gotten the chance to tell our story from our point of view.
It's a lot of work that goes into producing and directing and all those kinds of things. It doesn't just happen. It's a lotta work. It's a lot more work than acting.
I put in a lot of work in film study.
I study myself. I study film, and I make sure that everything's on point.
My style is very hands-on. I own everything we do or the vast majority of everything we do. I don't do a lot of letting people just use my name like a lot of people in my position would do.
When you have a lot going on in a scene - whether it be a lot of shots, a lot of coverage, a lot of edits, or just the amount of content - it can cover up a deficit of true feeling. But when you don't have a lot of material to work with, you really have to be sincere with everything. You really have to mean it, because there's nowhere to hide.
You have to be able to shut out everything else, all the distractions and criticism. There's a lot of work that went on off the pitch, a lot of conversations, to make that happen.
A lot of nudity in my early movies was out of necessity. When I came out to Hollywood, I didn't know anybody, I didn't have any connections. I did what a lot of people have to do in the real world, and just work up from the bottom.
I acted professionally for about eight years, and I was writing all that time but never showed anybody any of it. There just came a point after those eight years when I thought, 'There's a lot I can do with acting - there are a lot of things I can express and do creatively, but there are also limitations.'
I feel a lot more comfortable being me these days. I'm constantly told that my work is good. A lot of fans and a lot of other artists say my songs and albums mean a lot to them. Isn't that what's important?
I have accomplished a lot, but it didn't happen overnight for me. I was 35 when I got the show, and had been working professionally for 15 years. It would be a lot weirder if I were in my early 20s and stumbled into it.
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