A Quote by Drea De Matteo
Having all those demons makes it interesting, for me. Coming back now and being completely sober is okay, but I do like going back into the messy area. It's an empowering thing to play now, but at the same time, I do like to play the dirty side more. So, we'll see if she slips, or something. Wendy is always on the edge.
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My mother has stories of leaving me in the bath as small kid, like a 3-year-old, and there being mirrors on the side, and her going to get a towel and coming back in, and me making faces at myself, like, 'Now I'm happy. Now I'm sad.'
My mom grew up with horses, and when I turned 14, 15, she's like, 'Do you want to take a riding lesson?' I thought, 'Oh, gross, dirty.' She was like, 'Okay.' And then I did, and now I'm the one cleaning those damn stalls out. You can't get me away from the barn now. It shocks even me.
There's a fine line between playing through things and sitting out. I was always on the side of, 'I'm going to play through it.' It's probably good at times, bad at times, but for an athlete to always try to be there and play through things, from a teammate's perspective, it speaks volumes. Now that I look back, mentally it makes you tougher.
You use the vertical edge as the point of reference, instead of the horizontal edge. I have a picture of a beggar, where there's an arm coming into the frame from the side. And the arm is parallel to the horizontal edge and it makes it work. It's all games, you know. But it keeps it interesting to do, to play.
Its okay, Beth.I don't want my life to go back to the way it was before i met you.I thought i had it all,but really i was missing something. feel like a completely different person now.This might sound corny,but i feel like i've been asleep for a long time and you've just woken me up.
Recording can be enjoyable, but the hard thing is that you don't get any direct or immediate feedback like you do when you play live. Getting to see people's excitement and see them engage in the show makes me excited to get back out and play.
So much of the time I'm cast as an asshole or a douchebag, or that kind of thing. I'd like to go back to just playing a guy with a good heart. Usually so much of my stuff is ulterior motives or a dark thing to it. Maybe that's what other people see in me, but I feel like I have a warm side, too, humor and fun. I'd like to play a little bit more of that. Feel-good stuff. Why not?
It just seemed to me to be a great story, set back in its time but something that seemed to have relevance for our time. Now that the film is coming out, it looks like we're back in another time where repression of expression is all the rage.
The Mexico - United States border was always porous. People have been going and coming back since before the Spaniards arrived. Now we're seeing communities who have family members on the other side very frightened. I feel saddened for those families divided by violence. The whole border area is under siege.
Now you know you're going to have to play music for the label, you know you're going to have to get an opinion from the manager. Now, I'm so much more conscious and it bothers me. I try to find my way back to writing without being too analytical or not thinking about whether this is good or is it bad.
And if one day,' she said, really crying now, 'you look back and you feel bad for being so angry, if you feel bad for being so angry at me that you couldn't even speak to me, then you have to know, Conor, you have to that is was okay. It was okay. That I knew. I know, okay? I know everything you need to tell me without you having to say it out loud.
That's the music that I play at home all the time, Joni Mitchell. Court and Spark I love because I'd always hoped that she'd work with a band. But the main thing with Joni is that she's able to look at something that's happened to her, draw back and crystallize the whole situation, then write about it. She brings tears to my eyes, what more can I say? It's bloody eerie. I can relate so much to what she says. "Now old friends are acting strange/They shake their heads/They say I've changed."
For me, I like to imagine being successful. I like to imagine the end, which is success. I envision it, where I can actually see it happening. Going into the ring, seeing the fight happen, seeing me winning that belt, seeing me back in my dressing room celebrating with a slice of cake, which I always had. And the same with meetings. I do prepare though; that confidence comes from preparation, because that fear is in the back of your head of not doing well, of not saying the right thing or having the right information. That's where the preparation comes in for me.
There are some bands for whom that works very well and it's no disrespect to them because I'm sure there's something honest and natural about it, but for us I feel like it would be dishonest and kinda disrespectful to that artwork to do that. To be like: "Okay, we're going to go back and only play these songs, even though we have an hour to an hour and a half set and we gotta play more songs, but we'll skimp you on your extra half hour." That's just silly to me.
That's the best part of being a DJ. Everyone's looking at you and really, I'm a shy person; I like to stand in the back of a room, not talking to many people. But having a chance to play music, the stuff that I want to hear, and getting people going, it's just a different kind of vibe. It's like a different side of me.
Some people like the same thing forever, but I don't know. We kind of, like, listen to loads of different stuff, and our attention spans aren't good enough. So there was a bit of frustration when you're, like, having to play the same thing all the time because we play all, like, loads of different instruments.
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