A Quote by Drea De Matteo

I have a penchant for playing characters that have been victimized repeatedly and still stood their ground and still remained unembittered. — © Drea De Matteo
I have a penchant for playing characters that have been victimized repeatedly and still stood their ground and still remained unembittered.
I have, in some ways, saved characters that have been marginalized by society by playing them - and having them still have dignity and still survive, still get through it.
I still get stage fright horribly. I still get nervous. I do tend to find when you're playing characters, often - just for the time you're playing them - there are sides of your personality that get stronger because you draw on them more.
My dead and wounded were nearly as great in number as those still on duty. They literally covered the ground. The blood stood in puddles in some places on the rocks; the ground was soaked with the blood of as brave men as ever fell on the red field of battle.
Not a living thing was to be seen and the cottages that sat huddled close to the ground remained fast shut; the smoke from the chimneys alone still gave a sign of life.
Steven and I stood on the stage at the Boston Garden after the Stones had just played there and the stage was still up. We had been playing cards, maybe a high-school dance, to 400 or 500, maybe a thousand. We just stood on the stage and thought, 'Well,man,maybe someday.' In 4 years that was OUR stage.
I'm still tremendously proud of 'Crimson Petal.' I'm still very emotionally involved with these characters. I still care about them.
It's been years and years and years I've been playing the drums, and they're still a challenge. I still enjoy using drumsticks and a snare drum.
If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger.
A person who has not been completely alienated, who has remained sensitive and able to feel, who has not lost the sense of dignity, who is not yet 'for sale', who can still suffer over the suffering of others, who has not acquired fully the having mode of existence - briefly, a person who has remained a person and not become a thing - cannot help feeling lonely, powerless, isolated in present-day society.
The Angel ended, and in Adam's ear So charming left his voice, that he awhile Thought him still speaking, still stood fix'd to hear.
I've always preferred writing about grey characters and human characters. Whether they are giants or elves or dwarves, or whatever they are, they're still human, and the human heart is still in conflict with the self.
If I completely understood what was going on and I understood these songs, they wouldn't make sense to play live anymore. They're still enigmatic for me. I'm still searching in the songs as they are. That's what's actually been the most fun about playing and touring for me is that there's still a lot of caverns in the songs where you can go and hide out different nights.
If I hadn't left South Africa, I felt I was at risk of being pigeonholed. I looked around and saw actors who, 10 to 15 years into their careers, were still playing stereotypical Afrikaans characters, stereotyped Indian characters. That was not something that I wanted for myself.
My airplane is quiet, and for a moment still an alien, still a stranger to the ground, I am home.
I can still boss people around. I can still write. I can still read. I can still eat, and I can still have very strong views.
The thing is, even if you're playing sort of a heightened character and playing inside sort of a heightened reality, you can still apply your own truths to those characters.
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