A Quote by Drea De Matteo
People like to see certain actors do certain things, and people like to see me play that role. I also have no interest in playing a normal girl in a romantic comedy in some cutesy thing.
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Also, my humor is really dry-witted, Canadian humor, so some people get it and some people don't. I'd be great on "The Office." I would like to be on that show. And, I could see me doing romantic comedy films, and stuff like that.
The things I see every day inspire my sound and lyrics, like certain people and situations that stick out in my mind. There are also certain musicians I love whose music and styles inspire me.
When you start to really travel and you get to these abstract like places in the world, you would see certain people's names. It seemed like we could go anywhere. Like when we went to Afghanistan, you'd see in the dressing room Run DMC's name. Certain rappers are like journey men.
Some people have like a certain person, when they're around they get like a gnarly energy. I see it in other people, if a certain person's around they compete really well or something like that. I think it's sort of like that.
I think, in storytelling, people want to see triumph, and so it's usually nice to start with failure and see someone somehow rise above it. People like to see people try. And they like to see people fail for comedy, and they like to see people succeed for the drama and emotion.
I'm not concerned with people seeing me in a certain way. Some people see me as a kid, some people see me as an adult. But I'm seriously not going to complain how anybody sees me, as long as they see me.
Every human being in this world is interested in certain things. Everybody has a hobby. Some people like art; I know nothing about it. Some people like books, some people like fishing, some people like music. I like to look at cars.
Being an older person now, I'm finding that people are calling me to play various things. Variations on the theme of mother, caretaker, and in some cases, doctors, heads of organizations and things like that. For some people, I'm finally old enough to play those roles. We see men playing them when they're a little bit younger, and also in roles that call for some form of conflict and violence, either generating it or trying to curtail it. Women don't seem to be a big part of those common and often used movie themes.
We have little bits of comedy throughout our films but this is like a full-on comedy. I had great time. It was fun to do a comedy and see a lot of the people I worked with on our previous films and meet some new actors. It was a good experience for me.
So you can have your program, but you also have to be ready to change it immediately because there are certain kinds of people who like certain kinds of songs and they like - some people want to dance when you come out, some people just want to be intimate with you. So you kind of feel your way through a show.
I want to see more young filmmakers, and specifically filmmakers who have a unique voice. I wouldn't mind seeing less of the attempt to force-feed people what others think they want, if that makes sense - whatever the formula is that some people seem to operate under, like needing a certain star, or needing a certain thing in order to get a piece made.
In romantic comedies there's a certain ceiling and a floor that you can't necessarily love as hard, or hate as hard, or have as much pain, because you sink the shop of the romantic comedy. But in a certain drama, like some of the ones I've been doing, the ceiling and the floor was my own. And in many ways, that was a higher ceiling and a lower floor, so that was more of a band-with for those emotions.
You see, where I'm from, fighting is simply not a 'girl's thing.' In Umuarama, I grew up playing football, which to my family was also not a girl's thing, to be honest. Playing football was my biggest passion. I wanted to be on TV, to be just like Marta. I even had a knack for it.
I can play a song for somebody, and when certain parts come on, I cringe. I might not like my vocal or the way I sang a certain word. Playing intimate shows is when I feel the most vulnerable; you can hear and see everything. Those are the most rewarding as well.
It'll be interesting to see if I ever have to play a typical, bland romantic interest. I'm quirky, and playing it kind of straight and bland doesn't interest me a whole lot.
I get off on the interaction with people, and I love the chess of a movie and particularly - not only in preproduction or in production or postproduction - the behavioral chess. That is, learning and being humbled by and also teaching certain people certain things. I love that. As a producer, you have an opportunity to see the whole and bring people together.
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