A Quote by Dree Hemingway
I was scouted when I was like sixteen and I hated it. I wasn’t ready to work. When I turned 19, I decided to move to Paris to pursue modeling for myself there. It was kind of a way to get out of the house and discover something for myself, in a way.
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I was scouted when I was, like, sixteen, and I hated it. I wasn't ready to work. When I turned 19, I decided to move to Paris to pursue modeling for myself there. It was kind of a way to get out of the house and discover something for myself, in a way.
I've always considered myself a workaholic... The way I work, I have to turn myself upside down and hang myself by my ankles and wring myself out like a wet sweater, and I have to do that with other people, too, because I think that's where something good comes out.
I never wanted to be the guy people looked at. I felt I could only be myself when I was alone, that I turned into some kind of novelty. The only way I could get through that time was to drink. I poisoned myself with alcohol for years but I've never been into drugs in the way it was sometimes made out.
Love is the only way of knowledge, which in the act of union answers my quest. In the act of loving, of giving myself, in the act of penetrating the other person, I find myself, I discover myself, I discover us both, I discover man.
Everyone needs some trial and error figuring out how it's gonna work for them. I could have gotten that out of the way a little sooner but I think you're totally right, the way I kind of think about things and the way I wanted to put myself out there doesn't fit the traditional side of things. I needed things like podcasts and YouTube and things that allow you to get it out there yourself and stand in the flames.
When you lose your parents when you're a kid, you kind of get this freedom and sense of independence way younger. And obviously I wish my mum had never died but I like the way my life turned out because of who that turned me into.
This way, if I did the album myself, and I produced it myself with my own label, it was going to be done the way I wanted to do it. If people like it or don't like it, it doesn't matter; I got something that means something to me.
I had a lot of different jobs between fifteen and nineteen. I'd moved out of my house way, way younger than I should have. So I was living out on my own with my brother when I'd just turned sixteen. I did busboy stuff, and worked in warehouses, and did odd jobs, and stuff. I earned me some Pesos.
So when it comes to being a role model to women, I think it's because of the way that I feel about myself, and the way that I treat myself. I am a woman, I treat myself with respect and I love myself, and I think that if I'm holding myself to a certain esteem and keeping it real with myself, then that's going to translate to people like me.
I got scouted for modeling on the street. I'm such a tomboy - still am. I just never thought about modeling before, but I thought, 'Ooh, interesting, similar world, perhaps it's a way into something.' Then, I was on my third photo shoot ever, and Adam Leech from 'Downtown Abbey' saw me reading poetry and asked me to recite some.
When I'm editing my work, I'm looking for everything to fit, to feel seamless, for every detail or line of dialogue or scene to feel necessary and organic. I approach the writing of others in much the same way while always working to preserve the writer's voice. To allow myself to be vulnerable on the page, I tell myself no one is going to read my work. There's no way I could put myself out there otherwise.
When I first came to New York, I knew some painters older than myself. I was kind of the kid who was allowed to hang out with them. That is more the way people talked in those days, it was perfectly normal to question a work's fundamental premises and its fundamental visual manifestations. It was perfectly okay to say, "Oh, that should have been red" or something like that. In a funny way, the way artists talk about art is to de-privilege it.
it's about a love song to myself, and a love song to the universe, kind of like the way that Song of Solomon consists of love songs to God or like the way Sufi poems are erotic love songs to God, I kind of wanted something like that. Because I was getting to know myself more deeply at this point. I've always been on this track where I wanted to be enlightened.
A lot of mantras that I use in my daily life to get through - to move through the world in peace and harmony with myself - find their way into the music that I make. Many of the lines that people seem to be drawn to in my music really come from these mantras that I repeat to myself to try and move through the world in more thoughtful, comfortable way.
The way I write is that I'll actually have a conversation out loud with myself. In a weird way, I just kind of get schizophrenic and play two characters.
I don't like my voice. I don't like the way I look. I don't like the way I move. I don't like the way I act. I mean, period. So, you know, I don't like myself.
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