A Quote by Dree Hemingway
Once, in an interview with 'V' magazine, I said that I preferred Fitzgerald to Hemingway. I think that Hemingway is an amazing writer, but by being related to him, I had it in my head that I had to like him.
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Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn't know he was Ernest Hemingway when he was a young man. Faulkner didn't know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it's necessary
I remember that the single most vicious letter I ever read was the letter Hemingway wrote Scribners when they asked him to give a blurb for From Here to Eternity. It's there, in the Selected Letters for all to read, an example of a once great writer at his very worst. I doubt that he ever forgave Scribners for publishing James Jones in the first place. War, as Hemingway saw it, belonged to him.
Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.
I like the hip writers: Fitzgerald, the guy who committed suicide, Hemingway, all those guys. Some of them were alcoholics and drug addicts but they had fun. They were real people. They formed the culture of American literature. Hemingway admired Tolstoy, Tolstoy admired Pushkin, and Mailer admired Hemingway. It all flows down. The greats are all connected. One day I'm gonna write a book myself. The first chapter will be about what a rough deal my momma got. She believed in you guys and your society.
It has been said that Ernest Hemingway would rewrite scenes until they pleased him, often thirty or forty times. Hemingway, critics claimed, was a genius. Was it his genius that drove him to work hard, or was it hard work that resulted in works of genius?
I read some older books when I worked at Barnes And Noble, like some of the American classics. I read a lot of Hemingway. I fell in love with Hemingway's prose and with the way he wrote. I feel like he's talking to me, like we're in a bar and he's not trying to jazz it up and sound smart, he's just being him.
Like Hemingway and Faulkner, but in an entirely different mode, Fitzgerald had that singular quality without which a writer is not really a writer at all, and that is a voice, a distinct and identifiable voice. This is really not the same thing as a style; a style can be emulated, a voice cannot, and the witty, rueful, elegaic voice gives his work its bright authenticity.
I spent an awful lot of time with Hemingway. And Hemingway had a remarkable ability to reach very noble goals through sometimes ignoble means.
Hemingway and Saroyan had the line, the magic of it. The problem was that Hemingway didn't know how to laugh and Saroyan was filled with sugar.
Hemingway was a jerk. I mean he was really a great jerk. He was a good writer, and he did all sorts of things that I would never have the courage to do, but I don't think I'd enjoy being in the same room with him. He's not my kind of person.
The thing that was important to me about Hemingway at the time was that Hemingway taught me that you could be a writer and get away with it.
One time I was doing an interview for a gay magazine and halfway through the journalist found out I wasn't gay. He said, 'Sorry, I can't continue the interview.' Because they only had gay public figures in their magazine. I felt so crestfallen. I wanted to tell him: but I play fundraisers for gay marriage! I'd rather my kids were gay than straight!'
I will not be quoting Hemingway anytime soon, nor will I ever read another one of his books. And if he were still alive, I would write him a letter right now and threaten to strangle him dead with my bare hands just for being so glum. No wonder he put a gun to his head, like it says in the introductory essay.
I hadn't read or heard a lot about [Tom] Wolfe until I read this script, and in that way I think it was really clever to write a piece about him instead of Max Perkins,[Ernest] Hemingway, [John] Fitzgerald, or others that people have strong opinions of already.
Well, when I was a young writer the people we read were Hemingway, Fitzgerald, Sartre, Camus, Celine, Malraux. And to begin with, I was a bit of a copycat writer and very derivative and tried to write a novel using their voices, really.... I keep it out of print.
Really love him, I mean," Geilie persisted. "Not just to bed him; I know you want that, and he does too. They all do. But do you love him?" Did I love him? Beyond the urges of the flesh? The hole had the dark anonymity of the confessional, and a soul on the verge of death had no time for lies. "Yes," I said, and laid my head back on my knees. It was silent in the hole for some time, and I hovered once more on the verge of sleep, when I heard her speak once more, as though to herself. "So it's possible," she said thoughtfully.
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