A Quote by Drew Barrymore

I always like worlds where you could be in several different time periods. — © Drew Barrymore
I always like worlds where you could be in several different time periods.
God is able to create particles of matter of several sizes and figures and perhaps of different densities and forces, and thereby to vary the laws of nature, and make worlds of several sorts in several parts of the Universe.
Any child may go through periods during which they become less outspoken with their parents or teachers. But girls, like boys, live in many different worlds - they have their friends and their classroom and their parents - and within these different domains, they may have different levels of expressiveness.
There are different worlds, endless worlds, and different beings come from different worlds. In my particular case, I come from the stillness. We call it the dharmakaya, the clear light of reality. I know it quite well.
There are several new species that are discovered each year on our planet alone, science suggests that there could be many more worlds like ours.
England has had a lot of really bad periods of music, but it's had several amazing periods where they've found an incredible balance, not just between music that's a rather complex and also pretty direct. Like the Beatles.
Music and songs are written at different periods of time, at different times in your life. They reflect the feelings you have and to be honest, I quite like having positive emotions.
I felt like I had proof that not all days are the same length, not all time has the same weight. Proof that there are worlds and worlds and worlds on top of worlds, if you want them to be there.
The higher worlds are around us. These worlds are not only heavenly worlds, not only worlds of happiness, though paradise and happiness are in them, but they are also worlds that could be terrible for the people, by dangerous facts and creatures.
Throughout my life, there's just periods when I write and periods when I don't. I don't feel like anything's really blocked. "Writer's block" sounds so dramatic and worrisome, and I don't worry about it. I know deep down that I'm a writer, and it's just a matter of time until it comes back, and when it does, it'll be good like it's always been.
In this world, time has three dimensions, like space. Just as an object may move in three perpendicular directions, corresponding to horizontal, vertical, and longitudinal, so an object may participate in three perpendicular futures. Each future moves in a different direction of time. Each future is real. At every point of decision, the world splits into three worlds, each with the same people, but different fates for those people. In time, there are an infinity of worlds.
In comparing therefore the value of the same commodity, at different periods of time, the consideration of the comparative skill and intensity of labour, required for that particular commodity, needs scarcely to be attended to, as it operates equally at both periods.
I keep telling this story - different people, different places, different times - but always you, always me, always this story, because a story is a tight rope between two worlds.
I've always loved the word blunderbuss. I've always thought that it was a beautiful word and that it could mean several different things.
Fine declamation does not consist in flowery periods, delicate allusions of musical cadences, but in a plain, open, loose style, where the periods are long and obvious, where the same thought is often exhibited in several points of view.
Like Picasso, I go through blue periods, green periods, or grey periods.
I've always been keenly aware of the passing of time. I've always thought that I was old. Even when I was twelve, I thought it was awful to be thirty. I felt that something was lost. At the same time, I was aware of what I could gain, and certain periods of my life have taught me a great deal. But, in spite of everything, I've always been haunted by the passing of time and by the fact that death keeps closing in on us.
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