A Quote by Drew Barrymore
It's been such a struggle to learn all that I have; I wouldn't want to give any of that knowledge up. That's why I've always loved acting; as a kid, I didn't necessarily like my real life, so I could escape into these other characters and experience a life completely different from my own.
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Anytime I get an acting role, I find a way to learn about something new, or heal a part of my life that I didn't know was hurting. I think anybody could benefit from taking acting classes. You don't necessarily have to want to be an actor or pursue the acting business. But just taking an acting class, you're going to learn so much about life and what it's like to walk in somebody else's shoes. It helps you stop judging people. It does something to you where you become empathetic to people's plights and journeys, and it makes you a little more understanding and caring.
I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.
Understand, my own politics aren't necessarily interchangeable with what any of my characters believe. You could take each of the characters in On the Ropes, and I'd probably be in sympathy with a different one on any given day, depending on what's going on in the world.
Music has always been a dominant force in my life. As a young kid, it was a way for me to escape everyday life. Today, it's a source of expression. I enjoy looking at old photos of some of my favorite rock icons, but also get inspired from the younger bands that are coming up and really creating their own style, their own image.
Life experience. I can talk it up, vow to broaden my horizons, but I’m still limited to the experiences with my life. How can a person understand an experience that lies completely outside her own? She can see it, feel it, imagine what it would be like to live it, but it’s no different from seeing a movie on a screen and saying, “Thank God that’s not me”.
I came from the stage so it was a different kind of acting, or a different arena of acting, and I just loved to do it as a kid. It's really gratifying to get to create these different characters and to get to create different voices and to get to wear different clothes.
I write - and read - for the sake of the story... My basic test for any story is: 'Would I want to meet these characters and observe these events in real life? Is this story an experience worth living through for its own sake? Is the pleasure of contemplating these characters an end itself?
I couldn't function if I weren't allowed to stretch and do really different characters where I can change the whole "beingness" of that person. That's my pleasure in acting and has been since I was a kid. That's always been my pleasure to create complete characters.
If I'm creating a new superhero, it shouldn't be any different from other superheroes in terms of the qualities. Obviously the personality can be different. I think traditionally in comics women have tended to be a girlfriend or the daughter of whoever, whether it's even Batgirl as Gordon's daughter, or whatever. There is that relation of the hero, you know, like Superman's cousin, Supergirl. And that's great. It's fantastic to have a link to these amazing characters, but I kind of like the idea of things being something in their own right, which is why I've always loved Wonder Woman.
Characters that are not the norm or a bit out of the ordinary are always a challenge as an actress. You learn more by using different tools for those type of characters. They are always much more fun to play and much more interesting. They take you places that you wouldn't necessarily go in your everyday life.
After Titanic it would have been completely foolish for me to go and try and top that. I'm an English girl, I've always loved England, I've never felt the desire to leave it for any particular reason. And whilst I'm ambitious and care very much about what I do, I'm not competitive. I also don't want to act every day of my life. () So it was important to me after Titanic to just remind myself of why it was that I was acting in the first place, which is of course because I love it.
I would like to be myself in life - my real self. My ego, though, is powerful and not necessarily working in my best interest all the time. Even when climbing I can't escape the clutches of my ego. The reason why I started climbing was because I could be free from myself.
Nineteen hundred meters up there is completely different from1,900 any place else. There's no air, there's no oxygen. There's no vegetation, there's no life. There's no life. Rocks. Any other climb there's vegetation, grass and trees. Not there on the Ventoux. It's more like the moon than a mountain.
I'm drawn to real-life characters. A lot of the characters I play, I've had in me since second grade. I've been dragging them around my entire life, and then sometimes I marry them with different people. But seldom have I really come up with a new character. In my head it's like, "I'll pull that person out that I've been doing since sixth grade and see where they're at right now.".
I'd done table reads for my own screenplays, and I always thought they were so much fun. Why couldn't we do these for other classic screenplays and bring them to life? You can experience live theater, where you get to see plays produced by different directors and different casts, but there's really nothing like that for movie scripts.
Acting is always sort of the same - like you want to be - you know you're pretending and you want to make it as real as you can. That's the similarity. The mediums other than that are completely different. I mean you know with camera work you're doing really small detailed work and you know if you do anything too big you've sort of failed. And with stage, especially with the play I'm doing right now, I'm doing a farce, and it's so over the top that you can't actually be too big. So it's just completely different.
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