A Quote by Drew Barrymore

I don't like camera trickery and editing and doubles and all of that. — © Drew Barrymore
I don't like camera trickery and editing and doubles and all of that.
I stopped playing mixed doubles and there is no result in mixed doubles. I was world number six. People who are talking about me and my performance and questioning my career and my achievements, where is the next mixed doubles pair, please show it to me. I would like to know.
With the camera, it's all or nothing. You either get what you're after at once, or what you do has to be worthless. I don't think the essence of photography has the hand in it so much. The essence is done very quietly with a flash of the mind, and with a machine. I think too that photography is editing, editing after the taking. After knowing what to take, you have to do the editing.
I have always played under pressure because I have always played for my team in doubles and mixed doubles and it was always like if the doubles pair win then the team wins.
I watched a lot of movies from all over the world. The Russians were very good at editing. They were specialists in editing. The Man with a Camera, if you know that movie, is incredible. I still don't understand how it works. It's a movie with no script, no actors and still it works. It's really good. It's really about editing.
Doubles is exciting. Especially in the U.S. a lot of elite players play. They want to learn more about doubles, recreationally play and enjoy. When you see doubles live, you see how fast it is.
... the whole sickening trickery in life -- the idea that one cannot fight for one's humanity without, ironically, losing it ... that trickery is the real enemy and the very essence of the thing we must continually be on our guard against.
You have some singles that play doubles, but you have doubles players that can beat singles players when they're playing doubles.
I like to do the camera work myself because I kind of feel it, you know, I don't articulate it, I feel it. It's the same with editing.
In doubles there was nobody before me. I have changed how people look at doubles.
I want to promote doubles, educate people and media about doubles.
The proudest thing I have ever done was to win the singles, doubles, and mixed doubles at Wimbledon.
If more people knew about it, followed the teams, they would really enjoy watching mixed doubles and doubles.
I've always equated the writing process with editing, sort of like when I get through editing the movie, that's like my last draft of the screenplay.
Editing is the only process. The shooting is the pleasant work. The editing makes the movie, so I spend all my life in editing.
Editing is the only process. The shooting is the pleasant work. The editing makes the movie, so I spend all my life in editing
Editing can alter the original meaning and context, and computers can alter the image itself. The camera can also be manipulated. At the very least, it must be turned in one direction - only one direction at a time ... Who chooses what direction to point the camera, and why?
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