A Quote by Drew Barrymore

I never act my characters - I am them. — © Drew Barrymore
I never act my characters - I am them.
I write. I imagine. The act of imagining in itself enlivens me. I am not frozen and paralyzed before the predator. I invent characters. At times I feel as if I am digging up people from the ice in which reality enshrouded them, but maybe, more than anything else, it is myself that I am now digging up.
The thing is, I never see my characters as psychopaths. I see them as really crippled victims who just happen to do bad things. And I never see them as bad guys; I see them as darker characters. I never see anything as good or bad; it's more light or dark, and the in-between is the grey.
I can do four shows in a row singing no problem. Four shows in a row stand up, my voice is destroyed. I'm a storyteller so I act out a lot of characters and I act out a lot of situations and I'm distorting my voice and imitating characters I run into. I'm actually more exhausted doing that than I am with the rock shows, believe it or not.
The bad novelist constructs his characters; he directs them and makes them speak. The true novelist listens to them and watches them act; he hears their voices even before he knows them.
I want to have compassion for my characters - I feel like I am the characters when I'm writing them.
All the characters in my books are imagined, but all have a bit of who I am in them - much like the characters in your dreams are all formed by who you are
All the characters in my books are imagined, but all have a bit of who I am in them - much like the characters in your dreams are all formed by who you are.
I think my characters with my fingers, I think my characters with my guts. But when I say I think them, that is what I do, I feel them with the sympathetic neurons and I work out with my brain what it is that I am trying to write about, or I can't do it.
I have found that the characters in my novels stay with me after a book has ended. I know them in some sense. I never map anything out. I just think until I am secure in the voice of one of them, and then let the character unfold.
Normally, filmmakers would just write a script and cast people to act as certain characters in the story. But in my way of doing things, I have the actors in my mind already, so I'm trying to borrow something that's unique to them. The characters have a very natural connection to the actors themselves.
I have readers tell me that I must be bored, but that's not true. I am never bored with the characters. I like them.
I, as a fan of numerous TV shows and movies, know that people mess up. The characters that we love are not always going to act in the ways that we want them to. That's what makes them interesting.
You can never judge your characters. You have to love them, really care about them. You're never just playing a villain or the crazy lady.
One of the reasons I never had a problem handing over my characters to other creators is that I knew that they would add their own influences and takes on the characters and make them better for it.
I would love for people to think that I am as quick, clever, smart and heroic as the characters that I write, but those characters are characters.
Writing for me is not a premeditated act. It just happens - characters keep coming out of nowhere and doing things I never expected them to do. The most persistent and most productive of these has been Paul Christopher, whom I didn't expect to see again after he appeared in 'The Miernik Dossier.'
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