A Quote by Drew Barrymore
Kissing in the movies is a real art - figuring out where to put your heads so it looks good on camera. I have had other co-stars who couldn't work that out, which made it a lot harder for me.
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Along with a lot of other things, becoming a Bob Dylan fan made me a writer. I was never interested in figuring out what the songs meant. I was interested in figuring out my response to them, and other people's responses. I wanted to get closer to the music than I could by listening to it - I wanted to get inside of it, behind it, and writing about it through it, inside of it, behind it, was my way of doing that.
I made a body of work, which was like trying to make movies on a wall and was made up of all different images and materials. I had the aspiration to make movies because I thought that was the cycle. I had this insane egomaniac idea that I could make movies because I made these gigantic art projects.
I think high school's very difficult. You're figuring out your own power and your effect on other people. You look back and see how you spent so much energy on figuring out things with your parents or your peers.
I just try to work hard and run the offense as good as possible. I had a lot of guys around me who made a lot of good plays to help me out.
You go through slumps. The shot feels good in practice and looks good and for whatever reason in the game, they're in and out. Sometimes it gets frustrating, but for me, I've played in the league long enough to know you just have to put in the work in practice and shoot with confidence, shoot your way out of it.
But I must confess that Kashmir is one place that made me reach out for the camera. Such is the setting that no matter in which direction one looks, you get a gorgeous frame.
It occurred to me the other day that I've made out with more people on camera than I have in real life!
It occured to me the other day that I've made out with more people on camera than I have in real life!
The good moral work of art should have all the qualities that a good amoral work of art should have, such as formal unity, balance, contrast, and a sensitivity to the material out of which it is made.
They [Throne; legacy costumes] are made out of foam latex, which is basically what prosthetic makeup is made out of. So it's very delicate and very fragile. And then you put the electronics in there and you have a whole other level of fragility. So we had many suits and sometimes we would have to change out at lunchtime and send the other one to the "suit-hospital." It was like a surgery centre.
You really feel like you're on the cutting edge and you know you are because all the camera equipment you take for granted doesn't exist for 3-D. So all the cranes with all the stabilized heads, they don't work on 3-D because they're all built for lightweight camera packages. As soon as you kind of put two cameras together and all the other crap that they need and the cabling to go back to the computers, we've literally, the cranes on these movies, they break after a couple of days.
I put out 'Rhythm & Bricks,' which showed my versatility, and I had a lot of melodic songs on there, then I had a lot of street songs on there, and I just wanted to know what everybody wanted from me. I did put that out so that everybody could get a feel, so 'Cut It' just happened to come out of there.
From the night Buddy Willard kissed me and said I must go out with a lot of boys, he made me feel I was much more sexy and experienced than he was and that everything he did like hugging and kissing and petting was simply what I made him feel like doing out of the blue, he couldn’t help it and didn’t know how it came about. Now I saw he had only been pretending all this time to be so innocent.
This is how you can tell a real photographer: mostly, a real photographer does not say 'I wish I had my camera on me right now'. Instead a real photographer pulls out her camera and takes the photograph.
That story about the two women in my life is - a lot of people get upset, a lot of people question it. Steven Soderbergh said to me, "The story of your life is incredible. The real story of your life that's interesting, more interesting than all the other stuff - the franchises, the movies, the songs, Elvis Presley, Frank Sinatra - the real thing that's interesting and unbelievable is the relationship with these two women. And if you're willing to put that out there, you know then, you're going to have a great movie. Because that's the movie."
Figuring out what made 'American Psycho' tick, it was such a fun script to work on, especially when we got an audience. Everything about it was so dark and yet ABSURD. I played Evelyn, and balancing what made her real and ridiculous was incredibly rewarding.
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