A Quote by Drew Barrymore

Families in real life don't tend to resolve things neatly. — © Drew Barrymore
Families in real life don't tend to resolve things neatly.
If you work hard in real life, people tend to get in your way - either from inertia or prejudice - and they stop you achieving things. It's the worst thing about real life compared with sports, where you generally get what you deserve: if you're the fastest guy, you win; there are no other games being played.
The important lesson for the children was that they know if there is a problem, they can tell us, we can talk about it, and we can resolve it. That's what families do. You face things, and you deal with them, and you move on together.
Whether something is old-fashioned or not doesn't resolve the question of whether it's true or not. I can see the temptation of simply thinking, 'Well, there's a cultural mainstream which flows neatly in one direction. You just align with it'. And that really won't do.
I resolve to live with all my might while I do live. I resolve never to lose one moment of time and to improve my use of time in the most profitable way I possibly can. I resolve never to do anything I wouldn't do, if it were the last hour of my life.
You know, real life doesn't just suddenly resolve itself. You have to keep working at it.
Very much in my books people find not surrogate families because they are real families. We've got families that we're related to by blood but we've also got families that we acquire. And those too I think are pretty much part of my books.
Life on the road is very different from a normal, day to day life, and sometimes that surrealistic existence can have an effect on you, you tend to forget that's not really how things are supposed to be. But there comes a point where you have to pace yourself and find a place in your mind where you can be real.
One thing is all things. To resolve one matter, one must resolve all matters. Changing one thing changes all things. Once I made the decision to sow rice in the fall, I found that I could also stop transplanting, and plowing, and applying chemical fertilizers, and preparing compost, and spraying pesticides.
I tend to avoid melodrama. I try to create very realistic settings and very realistic experiences and realistic responses to these experiences. Melodrama is the use of really big events that may or may not happen in real life - certainly they do, but they're not events that are common to most people. Most of the things that happen in my novels are things that could happen to people in real life.
A basis for much of the pain women suffer in real life is they must somehow resolve their devotion to men.
We can be consicous of how we tend to ignore or escape anguish rather than understand and accept it. We can be aware that even when we gain insight into these things, we rarely behave differently in the future. Despite our overt resolve, we are still creatures of habit.
Families, particularly, tend to be the ones that you take the most for granted. They seem to slip under the radar, all those important things - it almost becomes second nature to do so.
One of the things I've learned is to be much more open about my frailties and about our failures, because when you show your kids how you can resolve conflict in your life in real time, you're giving them confidence that when they have conflicts, they can push through them.
The truth is that we have to, as American citizens, stop thinking that this life that we're living, the things that we're dealing with, is some reality TV show. This is real life, real children, real situations.
For aging is an art. The years between its first intimations and the time of the ultimate letting go of all earthly things can-if the readiness and resolve are there-be the real harvest of our lives.
My life is good because I am not passive about it. I invest in what is real. Like real people, to do real things, for the real me.
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