A Quote by Drew Bledsoe
Fairly early in my career, I had a passion for wine just as a consumer, and I started to learn about the whole process, starting with a piece of raw ground, and ending up with a work of art in a bottle.
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In the early '90s, my parents weren't really drinking wine. They had a bottle or two laying around, but it had been a stigma where a bottle of wine had to be for a super special occasion. A bottle of wine had to go with a steak. And it was this thing that seemed so distant.
So I realized when I was successful in a piece, it was because I didn't abandon a notion early on what it ought to be, and I let it take me along. So I've had songs that started out as being about the environment and ended up being love songs and love songs that ended up being about the environment. I've had things that I thought would be a poem and realized that it was just too big for that. I've got to do something larger and it became a play. I wrote one poem that started a whole play.
We are probably the only artists in the world who have a 2,000-page book on a work of art that doesn't exist. But in this way, these projects reveal their identity through this whole process. When I'm starting, I only have the slightest idea of how the work of art will exist.
One of the great advantages that I had in my career is I started trading 24 hours a day in my early 20s, and I had to learn to delegate to people.
The image of the bank robber I had in mind was more in the European tradition where you'd rob banks and give to the poor, like Robin Hood. It was that mythology. But very early on, my whole preoccupation was with art-studying it, examining every piece of work.
The wine business is intense. It's not just bottle it and sell it. It's really a process.
[Mel Gibson] had just directed The Passion [Of The Christ], and it had just been released as we started production on Complete Savages. But I have to say, nobody ever talked about it, and he never brought any of that to work. He was just delightful, and I had a great time.
Something that really helps when it comes to writing songs is you start to notice how children learn and how we all had to learn in the first place, starting from the ground up. It gives you a new perspective.
I do my work as an actor, but another part of my work goes to the piece as a whole. I can be fairly detached looking at my work and be brutal on myself.
No matter what level you're starting at, it's about not only utilizing your time, but your resources and network. For me, I started my company with a small amount of savings; I never had investors and I was lucky in the sense that I had models and connections in the fashion industry who were willing to give me advice early on. So really, for anyone starting a new business, it's really important to seek out mentors and knowledge from those who have come before you. And to not let that be discouraging, but to take that advice and really learn from it and mold it to what you're trying to do.
Actually, the whole thing of being a solo artist has been such a learning process for me. Since I departed from my previous band, NIGHTWISH, it was the whole beginning of my career, there was stuff in the air. I had to learn so much.
People always say, 'Oh, I'd love to work with my sibling,' or 'My God, I could never work with my sibling.' It was just a natural process for us. We started collaborating on our first films and it evolved. We have a passion for film that we shared as we were growing up.
Once you lose that musician part -not just the playing, I'm talking about musician attitude- then you're lost, man. Especially if you started out that way. It feels so good to be back, starting from the ground up.
After Bottle Rocket, I started getting acting work. People started offering me roles in movies. It wasn't something that I thought about as a kid growing up in Texas. Actually, maybe I would have thought of it as a possibility, but it seemed so crazily far-fetched to think that you could work in movies that I really didn't ever quite imagine it. It was just lucky.
I like how wine continues to evolve, like if I opened a bottle of wine today it would taste different than if I'd opened it on any other day, because a bottle of wine is actually alive. And it's constantly evolving and gaining complexity.
I drank a bottle of wine for company. It was Chateau Margaux. It was pleasant to be drinking slowly and to be tasting the wine and to be drinking alone. A bottle of wine was good company.
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