A Quote by Drew Carey

After all, game shows are not like working in a coal mine. — © Drew Carey
After all, game shows are not like working in a coal mine.
If you're the guy who basically shows up with coal at the locomotive, they will put it in the train. Like, they won't even assess whatever or not it's good coal. Just throw it in there.
In the right situation, acting on television can be extraordinarily satisfying creatively. But that's incredibly rare. Otherwise, it can be like working in a really remunerative coal mine. That's the down side.
We're not saying that you don't need coal, but when you do mine the coal there are responsibilities to it. It may cost a little more, but it is the right thing to do.
The average life expectancy of a celebrity is 20 years less than someone working in a coal mine.
At times you feel like you're the only voice speaking out to improve the working conditions of people, whether it's to be able to collectively bargain, to get adequate pay, to know that you can come home safe out of a coal mine.
The end of coal in Appalachia doesn't mean that America is running out of coal (there's plenty left in Wyoming). But it should end the fantasy that coal can be an engine of job creation - the big open pit mines in Wyoming employ a tiny fraction of the number of people in an underground mine in Appalachia.
I come from a coal-mining, working-class background. My father was a coal miner.
I found myself trying to work within the Los Angeles system. I had an agent and a manager, which I still do, and going to meetings with networks about game shows and reality shows and projects that weren't mine. It was fun, but it wasn't what I'd set out to do.
Here in Indiana and in many states throughout the union, we rely on coal to power our homes and provide good-paying middle class jobs - like the one my family relied on when I was a kid. The coal mine helped put food on our table and helped me pursue an education and realize the American Dream.
Well, I'll tell you, one of things I'm proud of is for someone from Southern California, who didn't grow up around coal mines, I learned a lot that tragic day we lost twenty-nine miners at Upper Big Branch coal mine.
Months after I retired, the Kings won the Stanley Cup and I was there for that game... I happened to be there with a buddy of mine and I was like, 'Oh, I miss this.'
Kids don't have a little brother working in the coal mine, they don't have a little sister coughing her lungs out in the looms of the big mill towns of the Northeast. Why? Because we organized; we broke the back of the sweatshops in this country; we have child labor laws. Those were not benevolent gifts from enlightened management. They were fought for, they were bled for, they were died for by working people, by people like us. Kids ought to know that.
I feel drained out after working on my shows, but working on 'Krishna' was fun.
I'm more motivated, and I'm just working harder every single day, so it shows in the music, and it shows in the fan base, it shows in all areas when you're bringing it like that.
I grew up listening to my dad, a miner who rose through the ranks to be the mine superintendent in Coalwood, W.V. , yelling orders into his black company phone. He wanted to get coal out of the ground and into coal cars and on its way to steel mills.
Writing is hard for every last one of us—straight white men included. Coal mining is harder. Do you think miners stand around all day talking about how hard it is to mine for coal? They do not. They simply dig.
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