A Quote by Drew Holcomb
There’s no romance in the details [of touring] anymore for me. But as soon as we’re walking onstage and until we walk off after the encore, I feel totally alive and completely satisfied with my work.
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Encore' was an experiment. 'Encore' was the second chance at a first impression. 'Encore' was not completely planned.
'Encore' was an experiment. 'Encore' was the second chance at a first impression. 'Encore' was not completely planned.
I just kept touring and touring until it became second nature to go onstage, perform, and sing.
I don't hate myself anymore. I used to hate my work, hated that sexy image, hated those pictures of me onstage, hated that big raunchy person. Onstage, I'm acting the whole time I'm there. As soon as I get out of those songs, I'm Tina again.
When I'm onstage, I'm completely comfortable, and I feel very vital and alive.
The miracle is not to walk on water, or in the air, or on burning charcoal. The miracle is to walk on earth. You breathe in, you become aware of the fact that you are alive. You are alive and you are walking on this beautiful planet. The greatest of of all miracles is to be alive.
I have this problem where I get incredibly, miserably nervous every single show. This is part of why touring is so exhausting for me. I have not gotten to a place where it's like, "All right, here's another." It just doesn't feel workaday, at all, yet. It's kind of killing me, being so nervous so many hours of the day. After the show - we try to end on an anthemic note, and I try and let that be decisive, and I will often come back out for an encore a cappella, and that's where I try and take leave from the feelings of the stage. Trying, after I do that, to return to my life.
Walking helps me a lot to feel alive, and I do this every single day, my wife and I. We have long conversations about nature, and we also walk silently, just contemplating.
The talking shows allow me to come out of my cave and that's why those shows go on for so long. I hate walking off stage. Sometimes I walk off and I miss them as I'm walking off the stage. I wonder if they'll let me go another hour. That's why I do it: to communicate, to get points across.
I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me.Alive in the galaxy.Alive in the stars.Alive in the sky.Alive in the sea.Alive in the palm trees.Alive in feathers.Alive in birds.Alive in the mountains.Alive in the coyotes.Alive in books.Alive in sound.Alive in mom.Alive in dad.Alive in Bobby.Alive in me.Alive in soil.Alive in branches.Alive in fossils.Alive in tongues.Alive in eyes.Alive in cries.Alive in bodies.Alive in past, present and future. Alive forever.
It's one of those things that hits you when you're not even looking for it. It's a moment when you find those words surging through your mind - "I feel so alive right now." There's varying degrees of it. Acting definitely makes me feel so remarkably alive. Sitting on a beach or walking through nature makes me come alive always.
Dreams last so long
Even after you're gone
I know you love me
And soon you will see
You were meant for me
And I was meant for you
Go about my business, I'm doing fine
Besides, what would I say if I had you on the line
Same old story, not much to say
Hearts are broken every day
I'm half alive but I feel mostly dead
I try to tell myself it'll be all right
I just shouldn't think anymore tonight
The walk is like a matrix, like a diffuse, vague happening. It's like - imagine a play, a work of theatre, that is totally vague, almost devoid of details that consists in one person going on a walk. And as a consequence, there is a necessary tension between the determinacy and indeterminacy, the definite and the indefinite, of possibility.
When he whom I love travels with me or sits a long while holding me by the hand, … Then I am charged with untold and untellable wisdom, I am silent, I require nothing further, I cannot answer the question of appearances or that of identity beyond the grave, But I walk or sit indifferent, I am satisfied, He ahold of my hand has completely satisfied me.
It's not my story anymore: whenever I speak about the past now, I feel as if I were talking about something that has nothing to do with me. All that remains in the present are the voice, the presence, and the importance of fulfilling my mission. I don't regret difficulties I experienced; I think they helped me to become the person I am today, I feel the way a warrior must feel after years of training; he doesn't remember the details of everything he learned, but he knows how to strike when the time is right.
Because of our excessive touring and not giving up, it wasn't until 'Toys' came out that 'Dream On' really caught on. And then, of course, 'Walk This Way' crept up after that. Things went our way after that.
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