A Quote by Drew Magary

My job happens to be sports-related, so it's like my duty to watch football. It's my job. But that's not a change for me. When you're 18, it's life and death, because you don't have a kid, and it's a much bigger deal when you're 18. Having a kid - when the Vikings lost the 2009 NFC title game, it sucked, and I'm not happy about it, but my kid is still alive. You have to have that horrible forced perspective that you don't want.
Football used to be my god but no longer is. I still love it, I'm still aggressive, I still want to be very successful at it, I want to win a lot of football games. And my job is to be the best football player in the world, because it affords me a life; it pays, it's my job, and so it hasn't dulled my senses for the game or the love or the great excitement I get from the game. It's just that I'm very much at peace with myself because of my faith.
If I were involved with the NBA, I wouldn't want a 19-year-old or a 20-year-old kid to bring into all the travel and all the problems that exist in the NBA. I would want a much more mature kid. I would want a kid that maybe I've been watching on another team, and now he's 21, 22 years old instead of 18 or 19, and I might trade for that kid.
For me, 40 is the new 18, because I still act like a big kid.
When I was a kid, I would watch the grands prix. Everyone dreamt of becoming a race driver, while I only started thinking about it when I was 18 or 19. Only at that age did I seriously start thinking about this job. Before then, I would change ideas from one second to the next.
A real good artist is basically a grown-up kid, who never kills the kid. What we call being an adult is basically about killing the kid. People think you have to forget about the kid to become an adult and deal with grown-up problems. But, that's bullshit. We are still kids. It's the same, you just grow up. You're a kid with more experience.
When I was kid, yeah, my family, my parents wanted me to marry a Jewish girl because that was what they taught their children, and thought it would be an easier life for me to raise a Jewish kid. And I have a Jewish wife, I have a Jewish kid. They seem pretty happy about it.
Doing a musical is like having a kid. It's out there alive somewhere. It's not like a movie or a TV show where what we intended is what everyone will see. The kid can act out. The kid's going to do what it wants to do.
I was a big kid my whole life. I grew up among big people. My brother was a big kid. I didn't really feel like a big kid. Except for the teachers, who pretty much didn't want me to squish any of the other kids.
I've worked with little kid actors before, and when they start crying or anything like that, it makes my job so easy, because you react. A little kid crying, there's not much else to do.
I don't think there was any point where I was like, 'I want to be an actor for the rest of my life.' The nice thing about being a kid is you don't have to make those decisions. Then all of a sudden, you blink, and you're 18.
Leaving Nickelodeon was definitely an adjustment. Because then, it was back to the real world of, 'Now I'm an adult looking for a job,' as opposed to a kid that's getting introduced to all these people like, 'Look how cute this little kid is. Don't you want to put him on your show?'
I don't understand anyone thinking I'm sexy at all. I don't get it because, growing up as a kid, I wasn't. I was like a dork, fat, so for me it's really weird. I became famous in Australia when I was 18, and I was still a little bit chubby.
This is the great thing about writing for kids. Adults might not do anything if they recognized me. But if they do see me, and they're with a kid, they'll tell the kid who I am. They think they should give that to the kid. So generally that sends the kid over.
A kid might help another kid who fell into a river, and a kid might help another kid search for a lost baseball, but there isn't a kid I've met who will help another kid out of a humiliating situation. We just aren't built that way.
I grew up as normally as any other kid. Between that small TV part I did at five and when I turned professional actor at 18, I stayed away from the limelight, so I was just like any typical kid who went to school.
My mom, who was a constant fixture at work with me until I was 18 years old, did an amazing job filtering out all the things a kid didn't need to see or hear on film sets. So, acting was just a fun, breezy, extracurricular activity for me.
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