A Quote by Drew McIntyre

If I agree with something, then I do, and if I don't, then I don't. It's as simple as that. — © Drew McIntyre
If I agree with something, then I do, and if I don't, then I don't. It's as simple as that.
It's a very simple process. He [Danny Boyl] comes in the tube (subway) and then he sits with me for 3 hours every evening and then I work on something. Then later, if he likes something, I put it even more perfectly. I tweak stuff. So this happened for 3 or 4 weeks and the music was done.
I had creative control over my character, which means if they wanted me to do something that I didn't agree with, then I wouldn't do it. If it was good for the show, then I had no problem. If it was demeaning to the character and wasn't adding a positive light to the show, then I can guarantee that I wouldn't do it.
All propaganda or popularization involves a putting of the complex into the simple, but such a move is instantly deconstructive. For if the complex can be put into the simple, then it cannot be as complex as it seemed in the first place; and if the simple can be an adequate medium of such complexity, then it cannot after all be as simple as all that.
What comedy does, for the most part, is it voices something so simplistically that people will agree with us, and then once you agree with something, you go, 'That's what I think.' So what you're trying to do is try to voice arguments that people get on a side with. So they can use that, maybe at a dinner party, themselves.
It's simple, you just take something and do something to it, and then do something else to it. Keep doing this, and pretty soon you've got something.
When you say: The simple truth is this, and then you pause, and then you finish the sentence, people stop, and they think specifically about what you're saying. And it's, in essence, trying to boil it down to something that's very understandable and meaningful.
If we can't agree on objective truth, then how are we ever going to agree on opinions?
I find as long as I acknowledge the truth of something, then that's it. I know what it is and then I can operate. But if I overestimate the downside of something or the challenge of something and I get too obsessed about the difficulty of it, then I don't leave enough room to be open to the upside, the possibility.
The audience knows the truth, the world is simple. It's miserable, solid all the way through. But if you could fool them, even for a second, then you can make them wonder, and then you got to see something really special.
It has to be simple, but then you deliver them a principle: The simple truth is, as a matter of principle, we cannot spend more than we take in. Something - that changes the tone of the debate.
Marriage isn't something you agree to do one day, and if things don't go right, then it's over.
If you've done what you intended and if nobody tampered with it, then it's yours. And if people don't like it, then they just don't agree with you on that subject matter, and that's life.
Assad wanted Israel to capitulate in advance to all his demands. Only then would he agree to enter into substantive negotiations. I couldn't agree to this.
It's mine - you can't have it. If you want to use it for something, then you have to negotiate with me. I have to agree, I have to understand what I'm getting in return.
Start with something simple and small, then expand over time. If people call it a 'toy' you're definitely onto something.
We would be somewhat foolish to work out something on stopping us from going over the cliff and then a month or six weeks later Republicans pull the same game they did before and say, 'We're not going to do anything - unless this happens, we're not going to agree to increasing the debt ceiling.' I agree with the president, it has to be a package deal.
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