A Quote by Drew Pinsky

All I treat at the hospital is trauma survivors. — © Drew Pinsky
All I treat at the hospital is trauma survivors.
This stereotype that Black and brown boys and girls are dangerous or threatening has normalized systems of trauma: the cradle to prison pipeline, foster care, youth detention, and being tried and sentenced as adults. We treat trauma with more trauma.
Children are coming to school with trauma, everyday trauma, that they live under: violence in the homes, alcoholism in the community, unemployment thats 80 percent, not just during the recession. We need to help treat that before they can even go sit in a class and learn about math.
Children are coming to school with trauma, everyday trauma, that they live under: violence in the homes, alcoholism in the community, unemployment that's 80 percent, not just during the recession. We need to help treat that before they can even go sit in a class and learn about math.
I believe that at the beginning of the life of every artist there is some kind of trauma. We have a problem and all of our life we try to speak about this problem. My trauma was historical. When I was three or four, all the friends of my parents were survivors of the Holocaust; they spoke a lot about that. My father was hiding during the war, it was something totally present when I was a boy. It is sure that it has made me.
If we fetishize trauma as incommunicable, then survivors are trapped - unable to feel truly known by their nonmilitary friends and family.
If we take a hard look at what poverty is, its nature, it's not pretty - it's full of trauma. And we're able to accept trauma with certain groups, like with soldiers, for instance - we understand that they face trauma and that trauma can be connected to things like depression or acts of violence later on in life.
I don't want to get into splitting hairs. Trauma is trauma. I'm not in a position to quantify or qualify people's trauma.
When you read enough stories about people who have been through different levels of trauma, and it doesn't matter what the history is, trauma is trauma, there's always this freeing of the spirit.
Trauma creates one of four types of people: victims, rescuers, or perps - and if you're really lucky and really strong and very willing and brave, survivors.
children may need challenges and high-risk conditions in order to develop the self-generated immunity to trauma that characterizes survivors. To be tested is good. The challenged life may be the best therapist.
In South Africa, being Chinese meant I wasn't white and I wasn't black. I trained in Baragwanath Hospital, the largest black hospital in South Africa. That was around 1976, the time of the Soweto Uprising, when police fired on children and students who were protesting. I was part of the group of interns who volunteered to treat them.
The writing that most interests me isn't about narcos or sicarios or police or whatever. It's about the victims and the survivors, and about the suffering and trauma that so many in Mexico and Central America endure, and that is all around us whether we notice it or not.
We [Americans] have a historical trauma when it comes to the past relationships when it comes to Native Americans and the history of how America was created. With this film, it's nice to see that the trauma is presented from a white male that was in the Civil War and that trauma affects him in a way that still exists.
Emergency rooms are closed, many hospital wards are as well leaving people who are sick with heart disease, trauma, pregnancy complications, pneumonia, malaria and all the everyday health emergencies with nowhere to go.
Though suffering and trauma are not identical, the Buddha's insight into the nature of suffering can provide a powerful mirror for examining the effects of trauma in your life. The Buddha's basic teaching offers guidance for healing our trauma and recovering a sense of wholeness.
In many regards, Me Too is about survivors talking to survivors.
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