A Quote by Drew Pomeranz

It's hard to be a two-pitch guy. People tell you that, but you don't really believe it. — © Drew Pomeranz
It's hard to be a two-pitch guy. People tell you that, but you don't really believe it.
I believe in love. I believe in hard times and love winning. I believe marriage is hard. I believe people make mistakes. I believe people can want two things at once. I believe people are selfish and generous at the same time. I believe very few people want to hurt others. I believe that you can be surprised by life. I believe in happy endings.
I've gone from a two-pitch guy to a four-pitch guy.
I'm a hard-working guy, I'm a humble guy, I know I have to work hard to be where I am, but I always have confidence in myself and know what I can do on the pitch.
I often get painted as the guy who's trying to tell other people what to make and what to like, and that's really not my goal, but I believe so passionately that games can be more than a lot of people think they can.
People believe that criticism should be objective, whatever that means, but I really don't understand what people mean by that. I guess if you're doing sonata-allegro procedure analysis, you can be objective for a page or two. But in pop? Really hard.
Don't listen to what people tell you, there are always doubters. Work hard, believe in yourself, and believe in your ability and just work hard.
It's always very daunting to play someone who actually existed. You have to honor that, and be specific and accurate and try to make people believe that you're that guy, which is really hard.
I'm talking about people who claim to love people. I'm talking about people who claim to love and represent the little guy. They're the people that tell us that if not for them, the little guy would be trampled on daily. Well, if they really cared about the little guy, if they really cared about the little guy, and want the little guy to have an improved life, more contentment, more happiness, then the United States is what you would emulate. You certainly wouldn't tear it down.
If something is meant to be, it's gonna work. If two people believe in something really strongly, I think a longdistance relationship is easy. They just make the time to be together. And you have to remember that any relationship is going to be hard...mostly because you're two different people and you have to figure stuff out.
I'm not a guy who looks for signs in the universe to tell him things. I believe that if you search hard enough for the answer you already know, you will find it.
You can be a two-pitch guy and be successful, but your room for error is very small.
It's tough to know who's better in cliff diving. Like, you see a guy diving off a cliff and you go, Oh, man, a guy diving off a cliff! And then another guy'd dive- Oh, there's another guy diving off a cliff there. But you can't tell who's better, y'know? Like, uh- if you survive at all, hey, you're a great- you're a great cliff diver there. There's only two classifications in cliffdiving. There's, uh- 'Grand Champion' and then, uh- 'Stuff On a Rock.' Very hard to make a comeback in that sport, I'll tell you that.
I'll tell you what. I've been in combat. I've seen it, I've been close to it... and if my unit is danger, and I've got a captured guy, and the guy knows where the enemy is, and I'm looking him in the eye, the guy better tell me. That's all I'm gonna tell you. The guy better tell me. If it's life or death, he's going first.
My wife says that if people reach conclusions as to what I am like based on what they see from me on the pitch they would say I am a guy who is always annoyed, always in a bad mood, they'd say what must it be like to live with me. There are two of me, two different people.
I've seen the Tortilla Guy hashtag when I'm going through my Instagram and all of that and I think it's pretty funny. It's weird because I've met this guy before, I know who he is, but he's really kind of elusive, even around our camp. I've had some people tell me, 'Don't tell us who he is. We're having fun trying to figure it out!'
That sort of detailed filmmaking is one, hard to do and not have it be pretentious, and two, have it tell the story, which is what you're taught, that cinema is the language of images and you really should be able to make a film with no dialogue and tell a story.
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