A Quote by Drew Pomeranz

I've always been fastball-curveball and really relied on that pitch, and when it goes away, it just totally changes how you attack hitters. — © Drew Pomeranz
I've always been fastball-curveball and really relied on that pitch, and when it goes away, it just totally changes how you attack hitters.
I never knew how to throw a fastball, never learned how to throw a curveball, a slider, split-finger, whatever they're throwing nowadays. I was a one-pitch pitcher.
Everybody wants to know, 'How do you throw a curveball, how do you throw a slider, how do you throw this and that,' when they can't even locate a fastball. Learn how to control your fastball and then once you've got that, move on to other things.
Back in the day when I played, a pitcher had 3 pitches: a fastball, a curveball, a slider, a changeup and a good sinker pitch.
Ever since I've been boxing, it's always been the case that when I go inside the ring a switch goes off and my attitude changes totally from the person I am outside it. I really can't explain why or how.
Getting my curveball back and finding another pitch just helped me figure out how to pitch.
Everyone wants to talk about my slider, and how effective it is, but it really can't be without fastball command. It starts with my fastball, even if the slider is the pitch I want to get to.
I threw a lot more curveballs in college and the minor leagues. Up here, they're looking for that pitch. A curveball is more recognizable out of the hand than a fastball or changeup. They're taking them or hitting the mistakes I make with them. I don't want it to be so recognizable. I'll have to work with that because that was my pitch.
Spin rate itself doesn't make a pitch harder to hit. It just makes it further from what the hitters are used to seeing. It takes a pitch further away from average.
A lot of times, I've always looked at pitching in the All-Star Game as a prelude to how you pitch in the postseason, sometimes how you might have to pitch on two days' rest out of the pen, only throw one inning and then you have to go face the best hitters. That's what you do in the All-Star Game.
If a pitcher goes up there and he's throwing a ball and it's a breaking ball down and away or a fastball up and in, a perfect pitcher's pitch, and you're able to just foul it off and stay alive in the at-bat, just keep grinding, keep working through the at-bat and hoping for that mistake that he's going to make. And if he doesn't, then you walk.
I'm a fastball hitter. It's no secret I'm looking for a fastball every pitch. I think it's one of the hardest things to do in sports-to hit a moving baseball.
We just kind of relied on written scouting reports through the eighties and even the early nineties. I've really been amazed by some of the data that's out there, especially with regards to tendencies of hitters, and certainly tendencies of pitchers as well. I would have loved to have gotten that data when I played.
I threw a good fastball and changeup, but a below-average curveball.
If you can't see the rotation and tell if it's a sink - a fastball, then you have to be able to tell whether that fastball is a two-seamer or a four-seamer. You have to be able to recognize if it's a slider or a curveball. You have to be able to recognize if it's a changeup or a split-finger.
I feel like a pioneer with the split-fingered fastball. I was the first one to really throw it pretty much 100 percent of the time. It was a pitch that I had to have. If I didn't have it, I wouldn't have been in the big leagues.
My changeup looks like a fastball, but one goes straight and the other goes away from the righthanded hitter. Sometimes it cuts by itself, and I don't know where it's going.
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