A Quote by Drew Pomeranz

You can be a two-pitch guy and be successful, but your room for error is very small. — © Drew Pomeranz
You can be a two-pitch guy and be successful, but your room for error is very small.
I've gone from a two-pitch guy to a four-pitch guy.
When you're facing a different guy every at-bat, he's coming at you with his best stuff. There's no warm-up; there's no 'see a pitch.' You've got to be locked in from the very first pitch... The biggest thing is do your homework before the game starts.
The game can come down to one pitch. But when you're actually out there on the mound and when you're pitching, you can't be worrying about the margin of error or whatnot. You have to go with your strengths and what you believe is the right pitch and keep executing pitches.
Error is not just acceptable, it is necessary for the continuation of life, provided it is not too great. A large error is a catastrophe, a small error is essential for enhancing existence. Without error, there is no movement. Death follows.
It may happen that small differences in the initial conditions produce very great ones in the final phenomena. A small error in the former will produce an enormous error in the later. Prediction becomes impossible, and we have the fortuitous phenomena.
You have a personality inside the pitch and off the pitch and in the changing room, too. The most important thing is to be respected by your teammates, and that's the case at Tottenham.
People always say, 'How is it to be so successful?' I'm not successful yet. Richard Branson is successful. That's successful. Michael Jackson was successful. U2 was successful. I'm just a guy, doing okay. But I'm a happy guy doing okay.
One of the advantages of going to a small school is that you're expected to be the man. They have to give you the ball, and there's more room for error in a situation where you can play your way through mistakes (and no matter how good you are, this is a valuable coping skill at the NBA level).
[The Doctor, Capt. Jack and Rose are cornered by the empty children.] The Doctor: Go to your room! Go to your room! I mean it. I'm very, very angry with you. I'm very, very cross! GO! TO! YOUR! ROOM! [The children lurch away and obey him.] I'm really glad that worked. Those would have been terrible last words.
When I go into a pitch room and I'm pitching something with a writing partner, everybody tends to look at the guy, even if I'm doing a lot of the talking.
I don't have small goals; I just have goals, and it's, one, stay healthy; and two, have a very successful career.
It's hard to be a two-pitch guy. People tell you that, but you don't really believe it.
I want a room that I can definitely pack out. I don't want to sweat that part, "Am I gonna have enough people?" So I usually pick like a hundred, a relatively small room. Also, I'm looser in a small room. I don't want to record an album in front of a thousand people, not that I could draw a thousand, but I just want a room that I can really work back to front. That's just a very comfortable place for me to be loose.
As soon as the error has been recognized and corrections made, it's equally important that the error be forgotten and the successful attempt remembered and dwelt upon.
As soon as error is corrected, it is important that the error be forgotten and only the successful attempts be remembered. Errors, mistakes, and humiliations are all necessary steps in the learning process. Once they have served their purpose, they should be forgotten. If we constantly dwell upon the errors, then the error or failure becomes the goal.
When you play eleven a side, you might go through a game with very few touches, but with street football, you're always involved in the game, so it is a great way to improve your skill and to learn how to create and use space, as the pitch is very small.
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