A Quote by Drew Scott

I might put a couple of quarters in a slot machine, but I don't know how to play roulette. — © Drew Scott
I might put a couple of quarters in a slot machine, but I don't know how to play roulette.
Your email inbox is a bit like a Las Vegas roulette machine. You know, you just check it and check it, and every once in a while there's some juicy little tidbit of reward, like the three quarters that pop down on a one-armed bandit. And that keeps you coming back for more.
Life's not some slot machine in an arcade with a sign that flashes up saying 'I'm sorry, you have been killed. Would you like another go?' But we might get put through the same test each time, get faced with the same situations until we've learned how to cope.
I think that Vegas is one of the wildest places I've ever been to. You can look to your left and there's a drag queen getting married by Elvis, to the right there is some old bird sticking quarters into a slot machine for hours.
If I gamble, I'll play roulette. My wife and I will play roulette, and that's about it. I'm not a heavy gambler.
I don't play roulette, but it's funny: whenever somebody I know is going to Vegas, I'm like, 'Put it on black.'
Casino games such as roulette, blackjack, baccarat, slot machines and so on, are stacked in favour of the house.
If you're an app, how do you keep people hooked? Turn yourself into a slot machine.
A puppet, for example, is just a piece of wood, a couple of rivets, but put them together, and if you know how to do it, and the audience's imagination joins in with this, then a miracle will come out of that machine. That is what we and the audience do in the theatre - we create miracles in that space.
The diet book is one of those fool-and-money separation devices that seems, like roulette or slot machines, never to lose its power.
God is not a vending machine where if you put in enough prayer quarters we get a Reese's Pieces bag that pops out.
Thus, be it understood, to demonstrate a theorem, it is neither necessary nor even advantageous to know what it means. The geometer might be replaced by the "logic piano" imagined by Stanley Jevons; or, if you choose, a machine might be imagined where the assumptions were put in at one end, while the theorems came out at the other, like the legendary Chicago machine where the pigs go in alive and come out transformed into hams and sausages. No more than these machines need the mathematician know what he does.
A lot of players know how to play the game, but they really don't know how to play the game, if you know what I mean. They can put the ball in the hoop, but I see things before they even happen. You know how a guy can make his team so much better? That's one thing I learned from watching Jordan.
Ours is a time of the machine, and ours is a need to know that the machine can be put to creative human effort. If not, the machine can destroy us.
I try to prove that I can be either a wide receiver or a flex tight end. Put me in the slot, put me out wide, put me wherever you want, but I can play both.
Since young people would much rather play fast-action, rapidly advancing video games, and gambling laws for slot machines and roulette tables haven't changed much since the 1950s, look for casinos to build large video game tournament centers and allow people to bet on the action, similar to betting on college basketball.
Keke Rosberg is as calculating as a slot machine.
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