A Quote by Drew Waters
(I want to) make good stories that have a redemptive message and allow people to dig into their own lives and personal struggles and go "Am I like this? Do I have these flaws too?" and open up a conversation.
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I want to make movies - and I want to portray characters - that make people think. I want to make movies that have a redemptive message. I want to tell good quality stories and take out the derogatory sex, violence and language.
Rick Eldridge over at Reelworks Studios has the same vision that I have. They want to make good family quality product with a redemptive message underneath to allow people to open their hearts and minds. That (mindset) really drew me to The Ultimate Life...Their vision and what they want to do very similar to me and Erin.
We want to make sure the stories that show up in Path are both good stories and are a big part of people's lives.
So I found myself telling my own stories. It was strange: as I did it I realised how much we get shaped by our stories. It's like the stories of our lives make us the people we are. If someone had no stories, they wouldn't be human, wouldn't exist. And if my stories had been different I wouldn't be the person I am.
A lot of acting is working with your own psyche in order to allow yourself to be open and reveal yourself. But then of course there's a healthy part of you that says, "Well, don't do that." You know, you're going to be in front of people. You could look foolish. You could get it wrong. You could be too big or too small or not realistic or whatever those things are. People might criticize you. There's all kinds of reasons not to be open. But you do want to be open.
And each one of them has a redemptive message. Blood Bayou's redemptive message is (about forgiveness). Can you forgive somebody? Can you come back (from the hurt)? (Can you find_ your way back from it. Can people change and can you forgive somebody?
People do want to know the personal things. How far is too far to go with personal lives?
I don't need to play villains or anything like that to show people that I'm different. I just want to be a part of stories that hold up over time. Too much of this stuff is forgettable. When it comes to being an actor, I don't know how good I am but I always say this, I've never been the problem in the cast. I just want to keep that streak up and do more projects in the future, that's it.
We all have regrets, Urian. Nothing that lives is immune from that nasty emotion. (Acheron) So what? You want me to go kiss and make up? (Urian) Hardly. But I want you to set aside your own hurt and anger to see clearly for a minute. This isn’t about you and your father anymore than it’s about me and Nick hating each other over something we can’t change. This is about saving the lives of a million innocent people. People like Phoebe who don’t deserve to be hunted and killed. If I can stand at the side of my enemies for the greater good, so can you. (Acheron)
People like to see a guy being built up; they like to see a guy go from the bottom to the top, but then once you're on the top for a little bit, people wait to see you fail, and they want you to fail, so they find flaws and they find reasons, whether it's being too nice or trying to make you out to be fake - that's what they do.
Writing stories, adopting other characters, making up fantastic stories and tales, this is a way of perhaps enhancing who I am. Writing stories takes a commonplace old life and makes it all somehow more interesting. And hopefully I can do that in a way that touches a lot of people in their lives, too.
I want to see children curled up with books, finding an awareness of themselves as they discover other people's thoughts. I want them to make the connection that books are people's stories, that writing is talking on paper, and I want them to write their own stories. I'd like my books to provide that connection for them.
We understand ourselves through stories, by making stories out of our lives. Storytellers give people structure with which they can begin to look at their own lives and try to make sense of them.
I really am just trying to tell stories. But stories are often grounded in larger events and themes. They don't have to be - there's a big literature of trailer-park, kitchen-table fiction that's just about goings-on in the lives of ordinary people - but my own tastes run toward stories that in addition to being good stories are set against a backdrop that is interesting to read and learn about.
Before the fight I don't like to talk a lot of crap about my opponents, it's nothing personal, when it comes to interviews or anything like that. But once I get in there, I make it personal. This is my livelihood, my life is either going to go up or go down depending on what happens right here, so it's really personal. I make that guy my enemy.
That was just my own personal program: I didn't want to get too high over the good moments because I didn't want to be saddened and depressed when things didn't go as I had planned.
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