A Quote by Dries van Noten

You'd think after 100 shows you'd be used to this, but it's not true for me. It always feels like the first show. — © Dries van Noten
You'd think after 100 shows you'd be used to this, but it's not true for me. It always feels like the first show.
When I do stand-up shows at colleges, girls will talk to me after the show, and that always feels good. I like talking to them.
He never hurries. He never shows his cards. He always hangs up first....Like when we first started talking on the phone, he would always be the one who got off first. When we kissed, he always pulled away first. He always kept me just on the edge of crazy. Feeling like I wanted him too much, which just made me want him more....[It was] excruciating and wonderful. It feels good to want something that bad. I thought about him the way you think about dinner when you haven't eaten for a day and a half. Like you'd sell your soul for it.
I'm really just trying... to write what feels true to me. I don't think about a lofty responsibility. I think I'd be paralyzed by that. Like any of my male colleagues, I'm writing the stories that interest me in a way that feels true to me.
Sometimes it feels like it's show after show after show - like it's 'Groundhog Day,' and you feel like you're lost in the system.
A lot of America is kind of done. People have been making films about it for 100 years. Everything to me feels used up. But Jo-Burg feels unbelievably inspirational to me.
The first two, three, four weeks are wasted. I just show up in front of the computer. Show up, show up, show up, and after a while the muse shows up, too. If she doesn't show up invited, eventually she just shows up.
I think the success of a talk show depends on how true it is to the personality of the person hosting it. The shows I really admire, like 'Oprah' and 'Ellen,' are distinctively like their hosts, so I think my show will be successful only if we try to stay consistent to my own sense of myself.
I saw my first two Broadway shows when I was 4 years old, 'The Lion King' and 'Beauty and the Beast,' and after both of them I came home and reenacted the entirety of the shows on my living room table for my family and friends. I started doing that after every show I saw until I actually did my first youth production when I was 5.
I done paid Gunna to write my songs. I never put the songs out but like when I first started rapping I used to pay him like $100 like 'I'ma give you a $100 write something for me so I can try to learn to go in and record it.'
I love doing a television show. It just always feels like it's a little while before you find something that feels unique and that feels like a character that you really want to play for awhile.
When you first sit down to write the first song, until you've maybe got three or four under your belt, it's always, to me, like a mountain to climb. You look at that one blank piece of paper and you think, `God, how many songs do I have to write here?' It always feels like pressure.
'Nach Baliye' has always been one of my favourite shows on television. I always used to be an avid follower of the show, and I always wanted to be a part of this show and am quite excited to be part of it.
I remember, a couple of years ago I was playing my first headline show, and it was to 100 people in St Pancras Old Church in London; and me and my mum were like, 'We don't know 100 people, how are we going to sell these tickets?'
My partner after Fred Freeman was Jerry Belson. And Jerry Belson, after I was doing so well writing situation comedy, said, this is not good enough. We got to create our own shows. I said, but we're very happy doing this. No, no, no, you got to get your own show. So he made me - and he and I created our own shows. And we actually - everything we created failed. "Hey, Landlord" was our first show - 99th in the ratings. But imagine this - it's a great reflection on the years.
When I saw my first Broadway show, 'Beauty and the Beast,' I was like, 'Okay, I'm definitely gonna do this.' After that, I did little shows and started auditioning.
The album feels like a new era for me -- emotionally, lyrically, sonically. It feels fresh, it feels new. It's still me. It's still stuff that fans know and love but it's a new chapter 100 percent.
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