A Quote by Dries van Noten

I have a responsibility to the people who work for me, the manufacturers I work with. There is no point to clothes that don't sell. — © Dries van Noten
I have a responsibility to the people who work for me, the manufacturers I work with. There is no point to clothes that don't sell.
A work of art does not need an explanation. The work has to speak for itself. The work may be subject to many interpretations, but only one was in the mind of the artist. Some artists say to make the work readable for the public is an artist’s responsibility, but I don’t agree with that. The only responsibility to be absolutely truthful to the self. My work disturbs people and nobody wants to be disturbed They are not fully aware of the effect my work has on them, but they know it is disturbing.
Ours is the country where, in order to sell your product, you don't so much point out its merits as you first work like hell to sell yourself.
I assume most people trust me, if they vote for me in elections. And it is the most important thing. It places great responsibility on me, immense responsibility. I am grateful to the people for that trust, but I surely feel great responsibility for what I do and for the result of my work.
There are words that work, that are meant to explain and educate on policies that work, on products that work, on services that work. I'm not going to ever try to sell a lemon. I don't do that.
I've always liked clothes. I usually work very closely with the costume designer when I work on films, picking the fabrics and the clothes. And colors convey feelings. I like swatches and things like that. It makes me feel at home.
Work, work, work, but what mark do we leave, what point do we make? People who are too beholden to work become like erasers: as things move forward, they leave in their wake no trace of themselves.
I have a pretty crazy work ethic, most people around me think it's a little off the charts, like I'm always working on something. The thing is, as hard as I work at what I do, I love it so much it really never feels like work at this point in my life.
As a kid, I used to come to our offices and play under the desks of people I now work with, or who work for me. I would come in and play with fabrics and make little clothes for my Snoopy. People here feel like family. But if I couldn't make a difference, I wouldn't be here. My father wouldn't want me to be here.
A good work ethic is not so much a concern for hard work but rather one for responsibility. There have been a great many men and women who have in fact used work or hustle or selfish ambition as an escape from real responsibility, an escape from purpose. In matters such as these, the hard worker is just as dysfunctional as the sloth.
Three rules for a career: 1) Don’t sell anything you wouldn’t buy yourself; 2) Don’t work for anyone you don’t respect and admire; and 3) Work only with people you enjoy.
Sell-sell-sell sales methods simply do not work on social media.
I could completely do without the fame. It makes me self-conscious. It is a responsibility. I believe that if people look up to you in any way, especially kids, then you have a responsibility to inspire them, both in your work and in your life. So, for me, that is a weight.
For me, my work is pretty much a lot of my identity. I mean I live to work, basically. With money I'm able to earn I don't put into clothes especially or things like that. I use it as a way of buying time to work. That's how I see money for me. It represents time to be by myself working on these ideas. So in that sense, the work is kind of a surrogate religion, maybe not so surrogate, maybe it is part religion.
Anxiety is so pervasive in my work, it's like it's not even a thing because it's always there. Like air. I have to work through a layer of anxiety to get to anything else. It's embarrassing to me when people point out to me all the anxiety I portray in my work. I don't ever want to write about anxiety again but it'd be like leaving a huge gap in the picture.
I don't know why the world has changed so much that writers are now expected to appear in public and talk about their work. It's something I find very difficult. And yet, one does have some sense of responsibility towards one's publishers, to the people trying to sell the book.
Work begets work. Just work. If you work, people will find out about you and want to work with you if you're good. So work anywhere you can. That's why I've changed my mind about these theatres where people work for free or have to pay money. I think it's kind of terrible that they feel they have to, but you know what? They're working.
This site uses cookies to ensure you get the best experience. More info...
Got it!