A Quote by Dries van Noten

All my collections are very personal. It's also because I'm so involved in making the collections. — © Dries van Noten
All my collections are very personal. It's also because I'm so involved in making the collections.
I read individual stories a lot in magazines and other places, too, but I really think there's something to be said for reading story collections as collections. That's not true of all story collections, to be honest, but for good ones I think it often is true.
Very often, or perhaps more often, and even in very good collections - even in some of the best collections ever written, I would argue - it's because our "voicier" writers hew so closely to one given set of dictional tics that we as readers can't read the books all the way through in a single sitting, because if we did, the stories and their narrators would all start to bleed together.
I did think reviewers were supposed to be polite about story collections - collections are rather delicate creatures in the literary environment - but not everybody got this memo, I guess.
My collections are a reflection of my personal style and interests. All the textiles, fabrics and patterns are of my personal choice.
I had a great time investigating the pigments of different mutant fruit flies by following experimental protocols published in Scientific American, and I also remember making my own beetle collection when it was still acceptable to make such collections.
There's a moment in one's life when you should really be de-accessorizing instead of making more collections.
When deciding what shows to attend, I always choose collections that I can see myself wearing and that go with my own personal style.
When I was growing up, I was regularly involved in local activities such as food collections, food kitchens, and other initiatives.
I had the fortune to evolve at a time when fashion was very important, and women dressed themselves very well. A woman who dressed very well also had a husband who would have beautiful collections of art and decorative objects.
All my collections are based on something I like or something I'm dealing with. They are always deeply personal.
While I enjoy and have enjoyed great success building my own personal apparel and accessories collections, my greatest passion has and will always be real estate.
The rest of my work, besides sketching and keeping a diary, which was the most troublesome of all, consisted in making geological and zoological collections.
My sisters and I are very hands-on with our collections. I am really passionate about kids' clothes.
Cincinnati has one of the most diverse animal collections in the world, with more than 500 species represented. They also have a really good insect exhibit.
My own show with Sterling Ruby, for example, seems like such a huge disconnection from Dior couture, but then I think, yeah, in both collections there was a very strong focus on the human hand and the actual work of people making garments. So in that sense, they were completely related. But I didn't realize that during the process.
It is the tragedy of other people that they are to us merely showcases for the very perishable collections of our own mind.
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