A Quote by Dries van Noten
Various different people have inspired me throughout my career. From Francis Bacon to Vassareli, Coco Chanel to Christian Dior, Cecil Beaton, musicians, architects... the list is endless.
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We used to say that inside Cecil Beaton there was another Cecil Beaton sending out lots of little Cecils into the world. One did the sets, another did the costumes. A third took the photographs. Another put the sketches in an exhibition, then into magazines, then in a book.
My favorite brand I have ever artistically collaborated, entertained, and supported over the years is the huge house that Coco Chanel built: Chanel.
At the beginning of my career, as a boy from Peru in London, suddenly discovering British culture and society, I looked so much at the work of the photographers Cecil Beaton and Norman Parkinson, which seemed to represent a wonderful vanished grandeur of my new country.
Coco Chanel hated me. I can understand why.
I like Francis Bacon best, because Francis Bacon has terrific problems, and he knows that he is not going to solve them, but he knows also that he can escape from day to day and stay alive, and he does that because his work gives him a kick.
It was a different social structure. I'd go to [David] Bailey's for dinner at 10:30. There were always girls there and a house full of . . . I don't know, anybody. Cecil Beaton, Diana Cooper . . . And there I am sitting down with these creatures of the 20th century, and it was normal to us.
I tried to show that fashion is an art. For that, I followed the counsel of my master Christian Dior and the imperishable lesson of Mademoiselle Chanel. I created for my era and I tried to foresee what tomorrow would be.
Each time I?m coming out of my apartment I remember the quote of Coco Chanel; she said, ?Each time I?m leaving my apartment or my hotel, I?m looking at myself in the mirror and I take off one piece of my look. It?s always one thing too much.? And it?s a bit the same, always I take off my scarf or I take off my bag or jewellery because I like it simple. Coco Chanel is a great consultant I think.
Shooting at Coco Chanel's apartment was an unexpectedly absorbing experience. The essence of Chanel is firmly rooted there in all of her possessions, and I truly believe that her spirit and soul still inhabit the second floor.
I had the luck at 18 to become assistant to Christian Dior, and to succeed him at 21 and to meet with success from my first collection in 1958. That will be 44 years in a few days. Above all it was Christian Dior who was my master and who was the first to reveal the secrets and mysteries of haute couture.
I started looking at fashion magazines, specifically 'British Vogue.' I was reading a lot about Cecil Beaton. Then I thought maybe I should start collecting.
I don't know who made up this sort of greatest-hits list for artists. If one artist isn't moving forward anymore, then it's assumed another one is going to take their place. With Francis Bacon's death, a whole genre of art died.
Being a Christian executive in Hollywood has contributed to me fulfilling my destiny. Hollywood respects the maverick, the person who's unique and has the confidence to defy the system and everyone who tells them they're wrong in order to follow their vision. It's been me embracing by Christianity that has made me different, unique, and of value in my industry. Maintaining who I am and who God wants me to be throughout my career is what keeps me on the path to having the career I desire. I know what I value, and I never deviate from that no matter what.
It's been tough throughout my career having different coaches and different philosophies, different style of plays throughout this entire time.
I've been inspired by Coco Chanel. She broke all the rules of her time when she was designing. She pretty much revolutionized the way that women dressed at the time, and in doing that, she modernized the way they looked because they could move more freely in their clothes.
My earliest influences were Coco Chanel and Yves Saint Laurent.
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