A Quote by Drumma Boy

I hate working with artists who don't have something to say or when they have something that sounds cool but isn't really them. — © Drumma Boy
I hate working with artists who don't have something to say or when they have something that sounds cool but isn't really them.
I learned a long time ago to be honest when I'm talking to other artists. Up-and-coming artists used to come and say something, they would have a demo reel, and I would try to tell them the truth. I don't go up and say something unless I really feel it.
We all just meet up and someone's house or the studio and we'll just jam and we'll lock into something that sounds cool. I'll go home with tracks of cool parts and work on words. Everyone in the band has a job to do and everyone knows their job and we all do it really well. So, when we're writing, we can just look at one another and say, 'OK, go write this part'. It's not just one person writing or producing everything - everyone's working to product what we have.
If I never won a Grammy, I would be satisfied, if in fact I could help people. I don't say that because it sounds like something cool to say.
When you hear someone say something homophobic, it really ages them. It sounds old-fashioned.
The subjects that I am working are movies that say something. They are shouting or criticising something. I would hate to play a princess waiting for the prince to come and give her a kiss.
I'm usually really drawn to a song, and I know it would be good to cover if it sounds like something that I could write, or I wished I could write. Sometimes a writer just sounds like they're in your head, and that is really cool for me.
I'm kind of shy when it comes to women, so I don't really approach them. I'll just admire them from afar, and if they happen to say something to me, then maybe I'll find the courage to say something.
They[ Lana and Andy Wachowski]are true artists. They really are trying to say something and trying to create something original, and there aren't that many people who do that.
One thing I've learned is that the audience not only wants to be talked to but they also like to talk back. Maybe that's not a universal thing but people at my shows always have something to say. I love it because it encourages the spirit of having a good time together and it takes the show to places that I wouldn't be able to take it without their participation. The show becomes something that we're all working on together. That sounds really cheesy but I mean it.
You have to give them something where they walk away and say, 'I want more of that.' To create something like that, you have to take them on a journey. So the live show is very important to us; we've been working on that a lot.
People are always looking for something to hate on. If this is something for them to target and hate on, that's their thing. I look at it as satire.
People are very passionate in Italy. If you like something, you like something. If you hate something, you hate something. When you hate something, you are screaming.
I think art, if it's meaningful at all, is a conversation with other artists. You say something, they say something, you move back and forth.
The fact that I don't get big offers, it means that I don't refuse them. And I say no occasionally to bands, if I find them not very interesting to me. Or sounds like a copy of something else, I will say no. But 97% of the time, I say yes thank you to any jobs I'm offered.
I really like working with unique and unknown artists, as they usually bring something fresh to a song.
When the writing is really working, I think there is something like dreaming going on. I don't know how to draw the line between the conscious management of what you're doing and this state. . . . I would say that it's related to daydreaming. When I feel really engaged with a passage, I become so lost in it that I'm unaware of my real surroundings, totally involved in the pictures and sounds that that passage evokes.
This site uses cookies to ensure you get the best experience. More info...
Got it!