A Quote by Duane Michals

Taking photographs and writing is my way of saying I was here, I saw this, I felt this, I heard this. — © Duane Michals
Taking photographs and writing is my way of saying I was here, I saw this, I felt this, I heard this.
When I saw photographs of children murdered by the Fascist, I felt furious pity. When the supporters of Franco talked of Red atrocities, I merely felt indignant that people should tell such lies. In the first case I saw corpses, in the second only words. . . I gradually acquired a certain horror of the way in which my own mind worked. It was clear to me that unless I cared about every murdered child impartially, I did not really care about children being murdered at all.
A way of certifying experience, taking photographs is also a way of refusing it - by limiting experience to a search for the photogenic, by converting experience into an image, a souvenir. Travel becomes a strategy for accumulating photographs.
But there are times when thinking is misplaced, like when taking photographs. You cannot think your way to making photographs; you can photograph your way to clearer thinking.
I just always felt whole when I was writing. I felt this kind of beautiful privacy that I never felt in any other way. I feel like there's this great fullness to being alone, and writing is a really vivid way and a really magical way of being alone.
Taking photographs seems to be a means to express some kind of emotional, abstractive narrative. I look at the images that I'm most proud of like a film about the world the way I see it (or at least saw it at that moment, a perspective that seems to be ever-shifting and filled with self-doubt.)
. . . this rage - I have never forgotten it - contained every anger, every revolt I had ever felt in my life - the way I felt when I saw the black dog hunted, the way I felt when I watched old Uncle Henry taken away to the almshouse, the way I felt whenever I had seen people or animals hurt for the pleasure or profit of others.
I'll tell you, I've seen the lightning flash. I've heard the thunder roll. I felt sin-breakers dashing, trying to conquer my soul. But I heard the voice of Jesus saying still to fight on.
My mother said that when I was young I was constantly saying, Look at this - Look at that. I think that taking pictures must be my way of asking people to Look at this - Look at that. If my photographs make the viewer feel what I did when I first took them - Isn't this funny... terrible... moving... beautiful? - then I've accomplished my purpose.
I saw how different life was on different sides of the same city. I saw the fear in the eyes of people who were not free. I saw the gratitude of people toward the United States for all that we had done. I felt goosebumps as I got off a military train and heard the Army band strike up 'Stars and Stripes Forever.'
Your purpose is to make your audience see what you saw, hear what you heard, feel what you felt. Relevant detail, couched in concrete, colorful language, is the best way to recreate the incident as it happened and to picture it for the audience.
From taking photographs of George and Charlotte, I have been struck by the wonderful lack of self-consciousness that you see in photographs of children, without the self-awareness that adults generally feel.
The first time I heard Ron Whitehead read I felt what I imagine those who heard Abraham Lincoln deliver The Gettysburg Address felt.
Yet I saw crypts when I looked at him, and I heard the beat of kettledrums. I saw torchlit fields where I had never been, heard vague incantations, felt the heat of raging fires on my face. And they didn't come out of him, these visions. Rather I drew them out on my own. Yet I never had Nicolas, mortal or immortal, been so alluring. Never had Gabrielle held me so in thrall. Dear God, this is love. This is desire. And all my past amours have been but the shadow of this." — Lestat de Lioncourt
It is not so much the content of what one says as the way in which one says it. However important the thing you say, what's the good of it if not heard or, being heard, not felt?
Autumn clouds, vague and obscure; The evening, lonely and chill. I felt the dampness on my garments, But saw no spot, and heard no sound of rain.
I love photographs. I love taking photographs. When I see something that's great, I want to capture that. You put it out there and on a place like Instagram you can put it there and review it later.
This site uses cookies to ensure you get the best experience. More info...
Got it!