A Quote by Duane Michals

Trust that little voice in your head that says 'Wouldn't it be interesting if...'; And then do it. — © Duane Michals
Trust that little voice in your head that says 'Wouldn't it be interesting if...'; And then do it.
I try to please people, to give them a good time, but I refuse to make my act conform to traditional show-biz standards of entertainment. There's a little voice that says, 'Oh, no, you can't do that, that's breaking all the rules.' That's the voice of show business. Then this other little voice says, 'Try it.' And most of the time, when the voice comes on and says, 'No,' that's the time it works.
Real courage is holding on to a still voice in your head that says, 'I must keep going.' It's that voice that says nothing is a failure if it is not final. That voice that says to you, 'Get out of bed. Keep going. I will not quit.'
When there's no one else look inside yourself -- like your oldest friend -- just trust the voice within -- then you'll find the strength that will guide your way. You'll learn to begin to trust the voice within.
My reality is that God speaks to you every day. There's an inner voice, and when you hear it, you get a little tingle in your medulla oblongata at the back of your neck, a little shiver, and at two o'clock in the morning, everything's really quiet and you meditate and you got the candles, you got the incense and you've been chanting, and all of a sudden you hear this voice: Write this down. It is just an inner voice, and you trust it. That voice will never take you to the desert.
Is it still okay to make fun of schizophrenics? There's a little voice in my head that says no.
As I look back I know that most of the mistakes I have made have come when I didn't listen to myself, when I didn't trust my instincts... I believe you need to listen, carefully, to hear your inner voice. And then, you have to do what it says.
I am interested in levels of brain discourse. How articulate are the voices in your head? You know, there's a different voice for the phone, and a different voice if you're talking in bed. When you're starting off with a narrator, it's interesting to think, where is their voice coming from, what part of their brain?
The thing that I mostly get from my parents is 'trust your stuff.' That's what my dad always says. Trust your stuff. I tend to get very insecure and doubt myself, but then I think of that and I say to myself, 'OK, you can do this. You know your material, you know what you have to do, you just have to trust it and have fun.'
Speak up,' says Myrna who has a fuzzy white caterpillar of a moustache. 'My hearing's not so good.' 'I WAS SHOT IN THE HEAD.' Liz turns to Thandi. 'I thought you said you didn't remember how you got the hole in your head.' Thandi apologizes. 'I just remembered.' 'Shot in the head!' Florence-scratchy-voice says. 'Oy, that's rough.' 'Aw, it's nothing special. Happens pretty regularly where I'm from,' Thandi says. 'WHAT?' asks Myrna with the moustache. 'Say it toward my left ear, that's the good one.' 'I SAID, "IT'S NOTHING SPECIAL,"' Thandi yells/
How do you gag the voice in your head that says, 'You don't have to [do it] today. There's always tomorrow.'?
The voice in your head is like a wild horse taking you wherever it wants to go...When the voice in your head finally stops talking, you experience inner peace.
It was interesting doing impressions as somebody else doing impressions. Normally, I'll do a voice, and it's me doing the voice. To have to be Robin Williams doing the voice was an interesting sort of study in getting into somebody's head.
Who says, who says you're not perfect? Who says you're not worth it? Who says you're the only one that's hurting? Trust me, that's the price of beauty, who says you're not pretty? Who says you're not beautiful?... Who says?
The process of building trust is an interesting one, but it begins with yourself, with what I call self trust, and with your own credibility, your own trustworthiness. If you think about it, it's hard to establish trust with others if you can't trust yourself.
It's really about living in your head... just looking out at the world, then going back into your head and tossing around a lot of ideas and coming out with something interesting to say.
The characters I tend to play are a little more interesting than the standard heroes. Romantic leads can be a little more straightforward, I guess. But it just seems to be the parts I get, I don't know what that says about me. I enjoy interesting characters and interesting people, I suppose.
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