A Quote by Duke Johnson
Typically, with low-budget stop-motion, you can get away with a cartoony style.
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I wanted to try every style available to me - large productions, small productions, studio films, low-budget. You just can't sit around and wait for every big-budget film to come along.
My feeling is, I do a lot of low-budget films. I don't do low-budget acting. I have no interest in just goofballing my way through, thinking, 'Ah, no one's ever going to see this anyway.'
Because we don't have a lot of light, because we have a very low budget, we have to adjust the speed of our camera to get the effect that we want. So sometimes this is the way we work, and the result of the filming becomes a kind of a style.
There's no doubt that corporations have been getting away with dumping their pollution into our environment for decades and that they're especially emboldened to pollute in low-income communities and, typically, low-income communities of color.
What's frustrating to me is when, on a low-budget movie, people don't take chances. A big-budget movie, that script's your bible; nobody's going to risk going off the page. But when you're doing a very low-budget film, why not take some chances, intellectually, artistically?
I think one of my favorite things about making low budget movies is that when you get into expensive moviemaking territory, it's almost impossible not to reverse engineer the movies. It's irresponsible not to think about the result and the financial result. But when you make low budget movies, you can put that out of your head.
I've always loved stop motion animation and I particularly wanted to do stop motion with puppets that have fur, for whatever reason that is.
People gravitate occasionally to the brilliantly made art low budget films, which is maybe one out of every five hundred low budget films made.
The great thing about horror films is that they work on a low budget. The genre is the star. You don't need big movie stars, and I actually think a lot of times that the best horror films are the low budget contained ones.
Filming typically takes a bit away from the climbing experience, since you have to stop all the time and shoot.
I think stop-motion has always been semi-obsolete. And stop-motion animators - people like myself - love it so much that we're always going to be looking for new ways to make our films.
The size of the budget doesn't make that much of a difference because the kind of issues I have on a low budget film I I have on a big budget film as well, but they're just much bigger.
The size of the budget doesn't make that much of a difference because the kind of issues I have on a low budget film I have on a big budget film as well, but they're just much bigger.
Stop-motion has limitations, any form of filmmaking does, but stop-motion has a lot of limitations.
We're making high-budget movies with a low-budget attitude.
On a really big budget movie you do chemistry reads, and you sort of hedge your bets a little bit more and make sure that these people get along. But on the low budget side of things, I have to trust my gut that when I cast these people, the various elements are going to play together.
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