A Quote by Duke Johnson
When I was at N.Y.U., I studied abroad in Prague, and I learned about some of the European animators, like Jan Svankmajer and Jiri Barta. I didn't think at the time that I would end up doing anything like that, but I certainly thought it was very cool.
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All of the art that I love is about peeling back layers and delving into something that's in a subconscious or dream realm. People like Jan Svankmajer, or the artist Yoshimoto Nara, or David Lynch.
I take things a little bit more critically now, like, "What did I think I was saying in that song? What is this song about?" I thought the lyrics were incredibly descriptive, and now they sound really cryptic and weird. I'd like to also think that when I listen to songs from Something About Airplanes that I'm proud of my development as a writer. I don't think I was doing anything poorly at that time, but I can certainly see how my writing has changed.
I certainly think I'll end up writing about America in some form. I've taken plenty of notes. I like America very much.
But while our parting was mutually acceptable and even expedient, still it was painful. And I would like to think it hurt both of us, for I certainly felt it: a wrenching inside, like some small but improbably necessary organ was no longer in there, that it was missing, torn or fallen out. And at the time I'd thought that was the end of it; what was missing was gone forever
I started out doing production work on promos, stuff like that. I didn't think it was cool to be working for NPR. I didn't need anything to be cool. I just wanted something to do that would be interesting. It was fun. I didn't think of it as anything else but fun.
Some people just seem like they are up to no good. Like, in high school, I was a good student and got straight As. It was very strict, and you couldn't do well there unless you studied very hard, but every time there was any trouble, I was the first person they would be talking to.
I find that I end up liking songs if I really have an idea of something I wat to write about-some problem in my life or something I want to work through; if I don't have something like that at the root of the song, then I think I end up not caring about it as much. I gravitate towards some kind of concept or idea or situation that I want to write about. Very often I have to write, rewrite and come at it from an opposite angle...and I end up writing the opposite song that I thought I was going to write.
We exchanged a couple of ideas and stuff like that, but that's about it. I just think ... consulting on 'Tintin' was very interesting because you try to ... not educate, but inform the animators [about] what the lighting looks like, but [in the end] they do it themselves. I don't actually go and sit there with them. [We] just had a couple of conversations.
What would I like? Some very silly comedy where I don't have to think about anything, but it could be a lot of fun. And if it's not that, then I'll want to be involved in something where it's like, you're really dredged up to the neck in emotion, where it's as exciting as the premise of Battlestar.
There are a lot of movies about misfits that are quite cool, that kind of glamorize it on some level. I think there are fewer films, certainly with a lady at the center, about the agony of what it's like to feel like you're not accepted, and you're different, and somehow you're weird.
When I was 17, I studied at RADA in London for the summer. I wanted to live abroad and to pursue drama, so it seemed like the perfect opportunity. I thought I may as well throw myself in at the deep end. My first big role is in 'Starlet.'
I would like to be, like, a young jedi in training, like, do some cool stuff and have some awesome stunts, like Tom Cruise. I think that would be my dream role in 'Star Wars.'
I think writers just can't come up with any new words for what we're doing, because we're not 'retro-' anything. Like, in 'Gold and a Pager,' we're not talking about what was current - pagers were cool to us, but they never stopped being cool; people just stopped using them.
When I was growing up, I didn't really know much about being popular or cliques or anything like that. In elementary school and middle school, you start to kind of realize what it's all about. There are cool kids, and then there's you, and you're just trying to figure out where you fit in.I learned a lot about acceptance and rejection,Those are the themes that you'll find spread throughout my music and weaved in throughout all of the lyrics. I really know what it's like to be accepted, and I also know what it's like to be rejected. And those are lessons I learned in Wyomissing.
I believe that everybody, whether you believe in the afterlife or the chance of a near-death experience and you come back and you see someone [on the other side] - whether that has happened or not, I don't know, but certainly everyone has thought about it at some point or another in time. It's a fantasy that if there is anything out there like that, it would be just terrific, but that remains to be seen.
You know how some people get worked up about things? That's a very human thing to do. Sometimes, I don't know - like, I feel like I don't want to waste my energy doing stuff like that. I think about this on the court, too.
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