A Quote by Duke Johnson

Puppets interacting with other puppets is super complicated. You're juggling ten balls instead of three. — © Duke Johnson
Puppets interacting with other puppets is super complicated. You're juggling ten balls instead of three.
The question is, do we have a shadow government? And, if we do, who are those intelligent minority that is -- that is guiding us through? And where are they guiding us to? If you skip past all of the puppets and the strings, if you stop looking at the puppets themselves, you have to see who's behind the puppets. Who is choosing the puppets and the players? Who's the puppet master? George Soros.
We're also irreverent, we have an irreverent attitude towards puppets, as well. So a lot of what we do is we're kind of making fun of the puppets for being puppets, even while we're doing it. And again, that all feeds into the absurdity of this show.
It may be that we are puppets-puppets controlled by the strings of society. But at least we are puppets with perception, with awareness. And perhaps our awareness is the first step to our liberation. (1974)
I do a public access show with puppets. Puppets called actors, TV and movie stars.
That is a considerable amount of puppets. But ... [Proceeds to summon one hundred puppets of his own] With this, I took down a whole country
You can exaggerate with puppets. You're not trying to look like real people. The way the Muppets are designed is really appealing. Puppets are best if they're exaggerated creatures.
Funny enough, there have been puppets in everything I've written because I have a huge love of puppets. There's a big puppet musical at the end of 'Sarah Marshall.' I wrote 'The Muppets.'
I dropped my juggling balls and my face grew embarrassed. It wasn't until then that I looked around the circus of life and noted all were too consumed on their own juggling act to see. This is when I learned to have fun, and kick the balls instead.
I hate puppets so much. I dream about puppets all night. I see strings on people. The nice thing is we can just take a puppet and put it in front of a wall and blow the shit out of it.
The sad thing is, when it comes to diet, is that even when well-intentioned Feds try to do right by us, they fail. Either they're outvoted by puppets of agribusiness, or they are puppets of agribusiness.
Having watched 'X Factor' over the years, they just haven't got it right. The male winners haven't been believable. They look like puppets; they sound like puppets.
Puppets and dolls are the gateways between human beings and objects. There are tons of cliches to spout about puppetry and animism, the primacy of the object, attacking anthropocentric worldviews, etc, and while there were always puppets around, I started working with them to deal with the times I knew I wouldn't be able to collaborate with other humans, to have a team.
Puppets are pure form then ideas for performance come out of that. It's always the form and the visuals and that's why I like to make puppets in a gallery or museum. They're not often in those contexts.
For citizens who think themselves puppets in the hands of their rulers, nothing is more satisfying than having rulers as puppets in their hands.
What puppets we humans are - what puppets! Born without permission, dying when it is neither pleasant nor convenient, we are made to march or crawl through life on the edge of a precipice from which at any moment we may be knocked over. And we're told we should believe the experience is a privilege!
Static puppets, I wanted them to move, they're looking out the windows, but we didn't have time to rig those. I have more ideas than I can execute also every time that I do anything. I put the puppets in because people love 'em. I'm a populist in that sense.
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