A Quote by Duke Snider

You know you're pitching well when the batters look as bad as you do at the plate. — © Duke Snider
You know you're pitching well when the batters look as bad as you do at the plate.
The artful pitcher must take the inevitable peaks and valleys of pitching in stride and never give in to the batters or lose sight of his/her own strengths.
I was pitching on all adrenaline and challenging them. I was throwing the ball right down the heart of the plate.
Baseball is all about pitching, and we know we have to improve our pitching.
My pitching philosophy is simple. I believe in getting the ball over the plate and not walking a lot of men.
As soon as I got out there I felt a strange relationship with the pitcher's mound. It was as if I'd been born out there. Pitching just felt like the most natural thing in the world. Striking out batters was easy.
I could throw the ball hard, but at this level if you're not accurate, it's easy for batters to light you up with home runs. That's when I started concentrating on making my movements more compact. It just seemed to me that smaller movements would produce the kind of pitching I desired.
When I bowled to batters like Michael Vaughan or Jacques Kallis who were classical, technically perfect, sound batters, I always found that I could get them out.
I had my share of failures at the plate as a MLB player, but I was always pretty confident against left-handed pitching.
I'm in the game of spinning plates. I'm spinning a boxing plate. I'm spinning a Tae Kwon Do plate. I'm spinning a Jujitsu plate. I'm spinning a freestyle wrestling plate. I'm spinning a karate plate. If I was to put all them down and have one boxing plate spinning, it would be like a load off my shoulders.
I don't know what my record's going to be. I can't dictate it. I mean, obviously I have to pitch well, but it also takes the guys at the plate to show up as well.
Pitching is what you have best on the day you work, and if you can't get your fastball over the plate, then maybe you can win with your curve.
Seth laughed when he saw me. “Hey,” I said, poking him with my foot, “be nice.” “I think this is the first time I’ve ever seen you look anything less than…” He paused, playing with word choice. “Well-planned.” “Why, you silver-tongued romantic devil. That is the look I usually go for. Other women go for sexy or chic or beautiful. But me? Well-planned all the way.” “You know what I mean. Besides, unplanned isn’t a bad look for you. Not bad at all.” His voice sounded deliciously low and dangerous, and something ignited between us as we held each other’s eyes.
Pitching is what you have best on the day you work, and if you cant get your fastball over the plate, then maybe you can win with your curve.
Well here's how I look at it, I've always been someone that's liked to have things on my plate, it just keeps me going.
I played Little League. I was a 'pitcher.' But we had a pitching machine, so I was just basically an 'in-infield' shortstop because all I got to do was field bloopers six feet from the plate. I couldn't hit, so that was pretty much my entire job.
I was a really big - I was a big fan of pitching staffs in general growing up, not necessarily teams. So I liked the Braves pitching staff of Maddox, Glavine, and Smoltz, and I liked the A's pitching staff with Zito, Hudson, and Mulder.
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