A Quote by Dulquer Salmaan
If someone asked me if I would be interested in doing a Hindi film, I would not say no. There were offers in the past, but something about 'Karwaan' just called out to me. The storyline of three unique characters in a van with a coffin seemed fresh, and I got a good vibe from the team.
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I do not want to be a part of Hindi cinema's rat race. But yes, if I get offers and characters which I feel would suit me as well as make some difference to me, I will do a Hindi film.
One day Mani Sir called me to his office and narrated the script of 'Raavan.' He then asked me how good my Hindi is. When I told him that it's quite good, he asked one of his assistant directors to talk to me in Hindi and I was asked only to reply in Hindi.
I'm quite interested in doing a film about fashion. As someone with no fashion taste whatsoever, I think it would be good for me.
If the film isn't in some way going to study behavior then I'm not interested, but the reason why I'm not interested in directing in film is that it would take me, to be as good an artist as I feel I am an actor, it would take me another 35 just to conquer.
When he talked to you, you seemed to fit in, but when someone else was talking, or he would be distracted, you jsut looked lonely over there. At least to me. But whenever I would tell you that, you'd say "I'm fine. I just slip out of it, you know?" And I'd say "I'll catch you," and you would say, "It's not the kind of slipping you can catch.
I think people were a little bit too concerned about what I would or would not be allowed to say. So let me just get that out of the way and get on to the business of telling, you know, a story, or two, or three, or 15. And also to say, "Okay, look. Here it is, don't worry about it. The restrictions and the watered-down and all the stuff that you thought was gonna happen really isn't the case." So we done got that out the way, and now we can just kind of move on.
Someone asked me whether I was aware of all the people out there who were praying for the President. And I had to say, "Yes, I am. I've felt it. I believe in intercessory prayer." But I couldn't help but say to that questioner after he'd asked the question that - or at least say to them that if sometimes when he was praying he got a busy signal, it was just me in there ahead of him.
Instead of saying 'unique,' I will say 'Kattappava Kaanom' is a very special and lucky film for me because I got the chance to step into Hindi film industry when I was in the shoot of this movie.
While I am fluent in Hindi, I was a little worried about my accent. So when I was approached for 'Karwaan,' I told them they need to first listen to me speak in Hindi, in case it sounds off.
I wanted to greet people in Telugu, so I asked someone how to say 'How are you' in Telugu. In fact, I instructed my entire staff to speak to me only in Telugu. So, there were times when I would ask them to translate certain words for me in Hindi, but the effort paid off.
You know, a friend of mine asked me before I got here... it was when we were all shipping out. He asked me, 'Why are you going to fight somebody else's war? What, do y'all think you're heroes?' I didn't know what to say at the time, but if he asked me again, I'd say no. I'd say there's no way in hell. Nobody asks to be a hero. It just sometimes turns out that way.
When Philip Glass asked me if I would be interested in doing a new recording of Jesus' Blood he assumed that I would do something similar to the first version and wanted to know what other pieces would be on the same CD.
I would say any film can be called feminist that has female characters who have agency in their life, that are in charge of their fate or do important things or take up half the space. I would consider a film feminist, I don't care what it's about, but if the cast was gender balanced, where it would be just as likely that the boss or the best friend or whoever was female. It's really as simple as showing women being in charge of their destiny and giving female characters a voice.
I started with veteran K. Balachander sir, who called me for his series 'Anni.' He promised me that he would make sure that I get good film offers as well.
We'd go out in Larry's hippie van and drive out all around Dallas. He loved Chinese food, he'd go in and say. Remember me Major Nelson, me and my friends here are making this show called Dallas, have you got a table for us? It would work every time.
I know Noah Baumbach from a long time ago. We were hanging out one night, and he asked if I wanted to be in his movie. If somebody whose stuff you really like says, 'Hey, you want to do it with me?,' you got to do it. I would like to say that I get these offers all the time, but I don't.
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