A Quote by Dulquer Salmaan

I've been dubbing my own lines in Tamil for some time now. — © Dulquer Salmaan
I've been dubbing my own lines in Tamil for some time now.
After dubbing my lines for the first time, I'd say it's more difficult than performing in front of the camera.
I'm quite fluent in Telugu now, but there's a difference between talking and dubbing. While dubbing, the diction must be in sync with the emotion in the scene and would impact my performance.
There is always a question that arises asking if am a Tamilan. I am 66 years old now. I had been in Karnataka only for 23 years; for the remaining 44 years of my life, I have been in Tamil Nadu with the Tamil people.
Tamil is almost like my mother tongue and for quite some time, I had been concentrating on Telugu.
I've dubbed for my roles in Hindi, English, and Italian. Therefore, I'm used to the process. But, dubbing is hard, especially when you are dubbing for a prominent actor.
I don't write as much now as I used to, but I write. The lines still come, maybe periodically, and I'll go through these little bursts of time where I write a lot of things then a long period of time where maybe I don't write anything. Or these lines will come into my head and I'll write 'em down in a little book, just little sets of lines, but I won't try to make stories or poems out of them. I'm doing a lot of that now, just the lines.
To be honest, until I started dubbing, I didn't realize the amount of work of a dubbing artiste puts in. Especially the artistes that dub for villains. They really stretch their vocal cords to a different dimension.
Human beings around the world have to be taught to go, 'Tamil equals Tamil civilians first, and the Tamil Tiger is a separate thing.' And both of those groups are different. It's like a square and a circle.
I have sung many songs in Tamil and have been nominated for Filmfare Tamil this year for Neeyum Naanum for Naanum Rowdy Dhaan.
I can memorise Tamil lines fast. I feel at home speaking the language.
I think if a writer is not endeavoring to expand and alter consciousness in himself and in his readers, he is not doing much of anything. It is precisely words, word lines, lines of words and images, and associations connected with these word and image lines in the brain, that keep you in present time, right where you are sitting now.
When I entered the industry, I wanted to work with good directors like Mani Ratnam and Gautam Menon; that's why I did Tamil films. I realised later that I was not adding anything to the Tamil scripts and that it was a waste of time for me.
Pippin glanced in some wonder at the face now close beside his own, for the sound of that laugh had been gay and merry. Yet in the wizard's face he saw at first only lines of care and sorrow; though as he looked more intently he perceived that under all there was a great joy: a fountain of mirth enough to set a kingdom laughing, were it to gush forth.
I have been dubbing since 2006.
Nothing will turn you into a Civil War buff like five years of reading. Some of the letters that people wrote from that time are so deep and so beautifully articulate. And you realize, especially with the stuff that's going on now in America, that it's always been chaos - people were disagreeing at least as much as they are now and 20,000 people would die in a day. It's the scale that's amazing, and also the proximity to our own time.
I would not be like those Authors, who forgive themselves some particular lines for the sake of a whole Poem, and vice versa a whole Poem for the sake of some particular lines. I believe no one qualification is so likely to make a good writer, as the power of rejecting his own thoughts.
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