A Quote by Dulquer Salmaan
People working in films are somewhat like gypsies: we move from set to set and spent weeks, sometimes even longer working while shooting a film. Right from the spot boys to the make-up guys and cast and crew, we become a kind of family.
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Sometimes, if you're shooting a complicated scene, you have to stay in a position and wait for the technician to do his job, and then you have to be where you're supposed to be, right on the spot. You don't rehearse all that much on films. If I think of the amount of time I spend on set compared with the time spent shooting, it's ridiculously short.
When you do a film, you know you're shooting for 6 or 9 weeks, you've got your cast and crew. Overall, no one can just pull the plug and say, 'This isn't working.' There's just no security on television, especially for African Americans. It's a tough market.
I had a brilliant time working with the entire cast and crew at 'Return To Nim's Island.' It's amazing how, after working on a film, you really become a family, and you build these really special bonds together.
When you're working on a film, it's not theater; you don't have a few weeks of rehearsal. A lot of times you are showing up on set, and you've never been to the place; you've never met the other actors you're working with.
Yeah, I like working in television, a lot. I really enjoyed my time on 'Lost.' I like developing that hint of family with people. I mean, if you're on a happy set. If you're on a set where there's some sour apples, then I don't like working in television.
In a certain way working in animation has become very democratic because now anyone with the right technology can at least prepare a project from home in order to attract investors. Some people can even set up a small home studio and start working.
When I was shooting 'Mud,' every day was my favourite! I had so much fun on this film and loved working with all the cast and crew! It was a great experience.
There are so many varieties of films. You've got the jet-lagged films, where you fly to Bulgaria or wherever and get off the plane, and they bring you right to the set, and you start working, even though I don't even know my name, it's been such a long flight. Then there's the alimony films. But after you've been doing this long enough, you've gotten into every kind of situation you can imagine, even to the point where there is basically no script, so you have to kind of do it scene by scene and survive.
The show is very special to me, as I found my life partner Vivek Dahiya while working on 'YHM.' The entire cast and set has become like a second home to me.
I grew up on a set. The guys I hung around with were crew guys: the camera department, the prop guys. I was like the third kid through the door when I was a kid actor on Leave It To Beaver. I was always one of five guys who would have a couple lines. I was a journeymen actor in my first career, so I was appreciative of the journeymen on the set.
I realised that I enjoyed direction while making 'DCH.' The process of putting a film together and working with the cast and crew felt good.
When you're on a movie set and you are hopefully making a comedy, everyone's stifling their laughter. You're looking at the crew guys, hoping someone is making that face like, and not like, this is not working out, man.
I like working, I'm not into relaxing. Work motivates me, and even when I do take a holiday, I meet friends, talk about projects and set up meetings, set meetings between other people, or get involved.
I love my job every day. So whether it's for four years or for two weeks, it's still... And when you're working on a set, it feels like a family straight away.
It is totally different making films in the East than in the West. In the East, I make my own Jackie Chan films, and it's like my family. Sometimes I pick up the camera because I choreograph all the fighting scenes, even when I'm not fighting. I don't have my own chair. I just sit on the set with everybody.
When I'm filming, I try to get a facial two weeks before I start shooting and then again once I've wrapped. On set they tend to use a lot of make-up, so I like to prepare my skin right before, and then unclog all my pores right after.
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